By: Adam McGovern

Adam McGovern on LAZARUS

By: Adam McGovern

Adam McGovern on THE ORACLE

By: Adam McGovern

Adam McGovern on the play NORD HAUSEN FLY ROBOT

By: Adam McGovern

Adam McGovern on LOVE UND GREED

By: Joshua Glenn

He defended artifice and imagination vs. the so-called “natural.”

By: Andrew Sempere

Get deliberately lost, open every door, go where the crowd isn’t.

By: Adam McGovern

Stairways, backrooms, sofas and regular but uncommon stages.

By: Peggy Nelson

No time like the present for the end of the world.

By: Alix Lambert

Actors portray their own divorced parents, from verbatim interviews.

By: Alix Lambert

If you’re not in the right predicament, you will be eaten.

By: Alix Lambert

What, exactly, constitutes a life?

By: Peggy Nelson

Alix Lambert’s artwork takes on crime in, and of, Hartford.

By: Peggy Nelson

H.P. Lovecraft meets rock music and 1000 channels of cable TV.

By: Chris Rossi

Complicit in their own delusions, they remain on the verge…

By: Jason Grote

Writing in 1949, Philip Rahv divided American literature into volatile, rebellious “redskins” and puritan, effete “palefaces.” Although Rahv was dividing the lowbrow from the high, I would assert that, today, our “redskins” are intellectually restless […]