Early ’60s Horror (6)
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“The strange and sinister embroidered on… the normal and easy.”
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“The strange and sinister embroidered on… the normal and easy.”
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Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!
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Eyes Without a Face: dispassionate yet romantic, gory yet lyrical
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The boundary between uncanny and uncanny-fantastic is a difficult one.
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Liminal Horror movies — between the supernatural and the everyday.
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Why are horror movies from 1960-63 so resistant to critical analysis?
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