By: Joshua Glenn

He defended artifice and imagination vs. the so-called “natural.”

By: Adam McGovern

Stairways, backrooms, sofas and regular but uncommon stages.

By: Peggy Nelson

The play’s the thing…

By: Jason Grote

Writing in 1949, Philip Rahv divided American literature into volatile, rebellious “redskins” and puritan, effete “palefaces.” Although Rahv was dividing the lowbrow from the high, I would assert that, today, our “redskins” are intellectually restless […]

By: Jason Grote

In his error, performance art was born.