By: David Smay

Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!

By: David Smay

Eyes Without a Face: dis­passionate yet romantic, gory yet lyrical

By: David Smay

The boundary between uncanny and uncanny-­fantastic is a difficult one.

By: David Smay

Liminal Horror movies — between the super­natural and the every­day.

By: David Smay

Why are horror movies from 1960-63 so resistant to critical analysis?

By: Franklin Bruno

Andre Bazin wrote “he directs facts” — but did he?

By: Joshua Glenn

Mark Wahlberg’s penis, Sinatra as intellectual, cheerleaders.

By: Matthew Battles

WHY DO WE go to the woods, where the wild things are? Because it’s where the wild things are. Lars von Trier’s forthcoming film ANTICHRIST will debut at Cannes this May. Von Trier may be […]