By: Joshua Glenn

Michael Moorcock’s THE ENGLISH ASSASSIN

By: Joshua Glenn

From THE FARTHEST SHORE and MUMBO JUMBO to WATERSHIP DOWN.

By: Joshua Glenn

Michael Moorcock’s THE ENGLISH ASSASSIN

By: James Bridle

Must *punk (steampunk, dieselpunk, etc.) lit be about technology?

By: Tom Nealon

With the profusion of anti-heroes on television in recent years, from Tony Soprano’s jolly murderer to House’s belittling a-hole pose and from Jack Bauer’s strident seriousness to Dexter’s huggable serial killer, it’s easy to forget […]

By: Joshua Glenn

They were anything but silent.