By: Tom Nealon

It seems impossible that the various identities — Prince Rakeem, Bobby Digital, RZArecta, The Abbot, Ruler Zig-Zag-Zig Allah — of rapper, producer, and film scorer RZA (Robert Fitzgerald Diggs, born 1969) form a coherent whole; […]

By: Joe Alterio

Pulitzer prize-winning cartoonist RUBE GOLDBERG (1883-1970) pulls string (A) which activates bellows. Bellows (B) compresses, inflating balloon (C). Expanding balloon causes glass of water (D) to tip, soaking sponge (E). Sponge, due to increased weight […]

By: Patrick Cates

Patrick C. stared in silent disbelief at the bureaucrat who sat on the other side of the desk. Eventually he gathered himself and spoke in an exasperated plea: “You want me to write 150 words […]

By: Ingrid Schorr

Playing twins who change places, a teenager who swaps bodies with her mother, and a couple of appealing outcasts who find a way in, LINDSAY LOHAN (born 1986) once portrayed duality with an irresistible coarseness. […]

By: Lucy Sante

“They threw me off the hay truck about noon.” The celebrated first line of The Postman Always Rings Twice (1934) by JAMES M. CAIN (1892-1977) tersely illustrates his verbal and narrative economy as well as […]

By: Franklin Bruno

For much of the 1940s, LENA HORNE (born 1917), Hollywood’s “sepia Cinderella,” was relegated to one or two set-piece numbers per film. Opulent, glamorous, and static, her turns in Two Girls and a Sailor and […]

By: Jason Grote

My heart still skips a beat when I look at old Rolling Stone photos of GILDA RADNER (1946-89), an early childhood crush and, then as now, one of America’s greatest comediennes — and it still […]

By: Tor Aarestad

What was it about EMMA GOLDMAN (1867-1940) that made her, at the turn of the twentieth century, the most dangerous woman in America? Was it her early support of violent Attentats, such as her partner […]

By: Joshua Glenn

From Abbott, the courtly assassin in Hitchcock’s The Man Who Knew Too Much, to the un-manly yet indefatigable Joel Cairo, in The Maltese Falcon, PETER LORRE (1904-64) mocked or otherwise subverted the very concept of […]

By: Douglas Wolk

ALEX TOTH (1928-2006) occupies one of the strangest positions in the pantheon of great cartoonists: an artist of enormous power and lasting influence, he produced almost nothing but ephemera, throwaways and hackwork. Toth could strip […]

By: James Parker

He was terribly fierce.

By: David Smay

ANNA AKHMATOVA (1889-1966) was the Joni Mitchell of her day, strikingly angular and beautiful, wrapped in a Spanish shawl, tearing through love affairs with the celebrated poets and artists of her age. Her early work […]

By: Jason Grote

Octavia E. Butler

By: Franklin Bruno

Today, the name MARY McCARTHY (1912-89) first brings to mind the frank bed-hopping and catty portraiture of The Company She Keeps and The Group, her biggest seller. But she was also an immaculate stylist, and […]

By: Franklin Bruno

Just as it isn’t Burt Bacharach’s fault that his name is now rock-critical shorthand for “This band knows someone with a flugelhorn,” BRIAN WILSON (born 1942) is not to be blamed that his is invoked […]