By: Tor Aarestad

He produced lovely typewriters and radical theories of decentralized power.

By: Brian Berger

“A siren song sung in bass.”

By: Franklin Bruno

“I decided to face reality by writing lyrics.”

By: Lynn Peril

Who cares what the world thinks an “old lady” is supposed to look like?

By: Brian Berger

“The greatest song hound of all.”

By: Lucy Sante

One of his novels argues that theft is a reasonable career path.

By: Mimi Lipson

High Corman: pell-mell, hep, bizarrely hybridized.

By: Chris Lanier

Her world was patiently tattered, beautiful and useful.

By: Adam McGovern

The Satie of Soul saw no barricades from the heights he was on.

By: Tor Aarestad

He urged everyone to create, to engage, to act.

By: Brian Berger

For all his candor as a performer, he kept one thing from the public…

By: David Smay

His role as Harold made him an icon: flattened, but illuminated and sacred.

By: Greg Rowland

Nimoy vs. the Vulcan Sub-Presence Manifestation Utility.

By: Brian Berger

“All Lean’s movies are Life Epics, about individuals… and their dawning conscience.”

By: David Smay

A mischief maker who reinvented himself as a master of rue.