By: Tom Nealon

M.C.A.’s in the back because he’s skeezin’ with a whore? No more.

By: Mark Kingwell

He analyzed the motives of every act, including the act of analysis.

By: Chris Lanier

“If Masereel’s wood­cuts survive, we could re­con­struct the modern world.”

By: Joshua Glenn

Idling can be a form of activism.

By: Peggy Nelson

A stark contrast in mascara and morality!

By: Brian Berger

An aston­ish­ingly un­convent­ional composer

By: Alix Lambert

Machines that evoke an emotional response.

By: Franklin Bruno

High modernist experi­ments ex­ecuted at pulp­smith rates.

By: Franklin Bruno

A practical­minded brand of utopian modernism…

By: Adam McGovern

Her music is the model and message of accom­moda­tion without com­promise

By: Tim Carmody

The funniest man in Paris — why were his novels so serious?

By: Joe Alterio

His twisted, manic art paved the way for today’s highbrow comics scene.

By: Brian Berger

“Ah, yes, the Hankenstein.”

By: Peggy Nelson

He insisted that he was a poet, no matter what the medium.

By: Tom Nealon

Food requires no justification, no retreat to the cerebral.