By: Franklin Bruno

His is an unwieldy and rarely screened oeuvre.

By: Tucker Cummings

“I have no desire to cuddle my audience.”

By: Jacob Mikanowski

He was part of the bad old post­modernism, in a good way.

By: Tucker Cummings

He was dis­illusioned by the materialism of modern Japan.

By: Brian Berger

“Too much at stake: art, integrity, black power.”

By: David Smay

Wondrous things pressing against the seams of the everyday…

By: Mike Fleisch

Separation, and then the language of separation, were his subjects.

By: Gary Panter

His cartoons ring a very specific important curdled cultural alarm bell.

By: Brian Berger

Brilliance can be mistaken for mere profession-
alism.

By: Brian Berger

He unsettled movie genres even as he helped define them.

By: Brian Berger

Visionary, Bolshevist, Paramount Pictures’ newest star.

By: Tom Nealon

Nocenti’s work stands out like Longshot’s weirdly glowing eye.

By: Mike Fleisch

A repeating slideshow from a series of knee-high cameras.

By: Alix Lambert

Hurt Locker was very good — not always a pre­requisite for Oscar-winners

By: Lucy Sante

Jules Verne on laudanum, and four other writers rolled into one.