Danny Kaye

By: Katie Hennessey

A high school dropout who learned his trade on the Borscht Belt summer circuit, DANNY KAYE’s (1913-87) first taste of Broadway fame came with the 1941 Gershwin-Weill tongue-twister “Tchaikovsky (and other Russians),” in which he […]

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Susan Sontag

By: Franklin Bruno

Recalling SUSAN SONTAG (1933-2004) as “a leading public intellectual” — a category she did not invent, but perhaps perfected — is no substitute for rereading the early, electrifying essays collected in Against Interpretation and Styles […]

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Annie Lennox

By: Douglas Wolk

For somebody who’s been batting out the hits for thirty years now, ANNIE LENNOX (born 1954) sure doesn’t make a big deal about it: she’s a consistent, reliable entertainer who sails wherever the winds of […]

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E.C. Segar

By: Joe Alterio

The only diploma that E.C. SEGAR (1884-1938) ever earned was from a correspondence cartooning class; but he was every bit as dedicated to his profession as Popeye, his most famous creation, was to roaming the […]

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Cornell Woolrich

By: Sarah Weinman

If you know CORNELL WOOLRICH’s (1903-68) oeuvre at all, it’s most likely through the films of the standout directors who’ve interpreted it: Hitchcock’s Rear Window, for example, was based on Woolrich’s story “It Had to […]

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Stephen Merchant

By: Patrick Cates

If you were to approach STEPHEN MERCHANT (born 1974) and berate him for looking like a myopic ostrich, he would stare vacantly back at you and, after a pause suffused with the awkward comedic tension […]

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Albert Camus

By: Joshua Glenn

In a 1945 essay, the French-Jewish author, philosopher, and journalist ALBERT CAMUS (1913-60) asked, “What is a man who revolts?” His answer: “First of all, it’s a man who says no. But if he refuses, […]

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