By: Joshua Glenn

From LAURA and DOUBLE INDEMNITY to RED RACKHAM’S TREASURE

By: Joshua Glenn

Cornell Woolrich’s THE BLACK ANGEL

By: Sarah Weinman

If you know CORNELL WOOLRICH’s (1903-68) oeuvre at all, it’s most likely through the films of the standout directors who’ve interpreted it: Hitchcock’s Rear Window, for example, was based on Woolrich’s story “It Had to […]

By: Joshua Glenn

“My starting point is always a feeling of partisan­ship, a sense of injustice.”