By: Joshua Glenn

A 1911 exposé of a mutant species with high brows

By: Joshua Glenn

Skepticism, cynicism, irony, and contempt vs. the BIP

By: Joshua Glenn

Happy Anti-Fascist Day!

By: Joshua Glenn

Flutterbies

By: Joshua Glenn

A scene from STRIPES (1981)

By: Joshua Glenn

A utopian style of life becomes a high-end lifestyle.

By: Mark Kingwell

Desire seeks the Real but is trapped in the Symbolic order of language and representation.

By: Joshua Glenn

Rebooting is no nostalgia trip — nor is it snarkily ironic.

By: Joshua Glenn

Joshua Glenn on a panel from TALES TO ASTONISH (1962)

By: Joshua Glenn

A scene from CLAMBAKE (1967)

By: Mark Kingwell

He tracked the “lines of flight” that ideas can take up against power.

By: Joshua Glenn

He began as a critic of Middlebrow, but was suborned by it.

By: HILOBROW

We couldn’t have done it without you, in 2010.

By: Joshua Glenn

Josh’s work, un-work, action and inaction: 2010.

By: Joshua Glenn

Is Sherlock a semionaut, or just a brilliant bigot?