By: Joshua Glenn

Ken MacLeod’s THE CASSINI DIVISION

By: Joshua Glenn

An eroticized, non-repressive, egalitarian America. By any means necessary.

By: Joshua Glenn

Iain M. Banks’s INVERSIONS

By: Michael Lewy

Pre-CGI effects allowed us to focus, which gave our brains time to create memories.

By: Joshua Glenn

Octavia E. Butler’s PARABLE OF THE TALENTS

By: Adam McGovern

He has to leave the planet… and take the wilderness with him.

By: Joshua Glenn

Jonathan Lethem’s GIRL IN LANDSCAPE

By: Madeline Ashby

Fighting and fucking his way through foe after foe.

By: Joshua Glenn

Connie Willis’s TO SAY NOTHING OF THE DOG

By: Joshua Glenn

Jonathan Lethem’s AS SHE CLIMBED ACROSS THE TABLE

By: Erik Davis

Why did the creative minds behind HALLOWEEN and ALIEN start off making a stoner space comedy?

By: Joshua Glenn

Warren Ellis’s TRANSMETROPOLITAN

By: Gordon Dahlquist

“I can feel my mind going.”

By: Joshua Glenn

Molly Gloss’s THE DAZZLE OF THE DAY

By: Michael Grasso

I wanted to peek at every laboratory control panel, freeze-frame every decontamination sequence.