By: Joshua Glenn

China Miéville’s PERDIDO STREET STATION

By: Vanessa Berry

The marlin seems less like a trophy and more like a familiar.

By: Carolina A. Miranda

He doesn’t so much play the accordion as let it play him.

By: Joshua Glenn

Ken MacLeod’s THE SKY ROAD

By: Joshua Glenn

From GEEK LOVE and LONDON FIELDS to GHOST IN THE SHELL

By: Miranda Mellis

It is liminal, this limo. It is in limbo. Ambivalent, stuck in a rut.

By: Tom Roston

I didn’t understand my watch wasn’t so cool until I saw it on Hall’s wrist.

By: Joshua Glenn

Bruce Sterling’s ISLANDS IN THE NET

By: Kio Stark

It’s the only shot in the movie that’s purely about female pleasure.

By: Whitney Bowers

What happens when you’re sick of using all that duct tape?

By: Lynn Peril

Radio in hand, Mandrake heads for General Ripper’s office.

By: Joshua Glenn

Alan Moore’s THE LEAGUE OF EXTRAORDINARY GENTLEMEN

By: Christopher Orr

There’s nothing more foolish than a man chasing his hat.

By: Gerald Peary

“Keep that coffee hot, Hugo.”

By: Joshua Glenn

William Gibson’s ALL TOMORROW’S PARTIES