By: Chelsey Johnson

“Yesterday. Good old yesterday.”

By: Tom Roston

“I wanted to shoot myself,” the screenwriter recalls.

By: Vicente Lozano

Dolphin talk is the sound of innocence itself.

By: Neil LaBute

I found myself feeling like I was actually there, underwater or on the beach or in the NAUTILUS.

By: Marc Weidenbaum

Architecture is destiny.

By: Erin M. Routson

All of his daily deaths are about to be repaid with theirs.

By: Shawn Wolfe

Action-packed, yet with room to breath, think, and explore an idea or two between skull bashings.

By: Matthew Daniel

The distinction between reality and fiction never felt quite as negligible.

By: Lydia Millet

Beware the hyper-powerful otherness of people who look Scandinavian.

By: James Hannaham

Americans, like kids everywhere, must have seen and identified with their own gleeful nihilism.

By: Seth

For such a special-effects extravaganza it’s surprisingly a rather small film.

By: Susannah Breslin

Like Alex, we can’t help but love the horrorshow.

By: Gerald Peary

It’s underwater, the Creature’s domain, where the id runs free.

By: Adam Harrison Levy

There is a powerful irony watching the film in August 2020.

By: Lisa Jane Persky

As quickly as we glean the gist it is more and less forgotten.