By: Brian Berger

Brilliance can be mistaken for mere profession-
alism.

By: Brian Berger

He unsettled movie genres even as he helped define them.

By: Peggy Nelson

Besides, you even know what an algorithm is?

By: Joshua Glenn

“Flash Gordon” horrified literate, thoughtful young science fiction authors

By: Joshua Glenn

A scene from APOCALYPSE NOW (1979)

By: Brian Berger

Visionary, Bolshevist, Paramount Pictures’ newest star.

By: Peggy Nelson

“Everyone wants to be Cary Grant — even I want to be Cary Grant.”

By: Tom Nealon

Nocenti’s work stands out like Longshot’s weirdly glowing eye.

By: Mike Fleisch

Bolger’s flailing rubber legs made sense in The Wizard of Oz.

By: Matthew Battles

A bestiary of cinematic technologies.

By: Joshua Glenn

A scene from BLADE RUNNER (1982)

By: Chris Fujiwara

A movie is the imaginary collaps­ible space of our relation to the world.

By: Joshua Glenn

A scene from THE 39 STEPS (1935).

By: David Smay

Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!

By: Mike Fleisch

A repeating slideshow from a series of knee-high cameras.