By: David Smay

Revenge and cruelty are the wicked core of his films.

By: Mike Fleisch

The most scrupulously self-aware of comedians.

By: Alix Lambert

Devotion and desolation are his themes.

By: Devin McKinney

Harris is the Jack Lemmon of now.

By: Patrick Cates

The nonsensical nihilist who reduces the tattoo ad absurdum.

By: Joshua Glenn

A scene from PULP FICTION (1994)

By: Robert Wringham

“Monkey government!”

By: Joshua Glenn

A scene from ROCK’N’ROLL HIGH SCHOOL (1979)

By: Joshua Glenn

A scene from NACHO LIBRE (2006)

By: Joshua Glenn

A scene from ESCAPE FROM ALCATRAZ (1979)

By: Patrick Cates

His antics are merely the by-product of the tortured mangle that is his mind.

By: Mimi Lipson

His films came from a planet called Baltimore.

By: Katie Hennessey

She has avoided media scandal like Harry avoids the dementors.

By: Tor Aarestad

No one does teenage fragility and aggrieved hostility better.

By: Flourish Klink

Her scowl says: I don’t belong to anybody but myself.