By: Greg Rowland

Miles Davis once said that the history of jazz could be summed up by two names: Charlie Parker and LOUIS ARMSTRONG (1901-71). I’d go further, and claim that the ABC of 20th century pop culture […]

By: Douglas Wolk

For a good chunk of the 1940s, the R&B chart (or the “race records” chart, as Billboard called it then) might just as well have been called the LOUIS JORDAN (1908-75) chart: he scored hit […]

By: Franklin Bruno

For much of the 1940s, LENA HORNE (born 1917), Hollywood’s “sepia Cinderella,” was relegated to one or two set-piece numbers per film. Opulent, glamorous, and static, her turns in Two Girls and a Sailor and […]

By: Greg Rowland

MILES DAVIS (1926-91) was the son of a dentist, but visited a primal Oedipal rebellion upon the smug bourgeois sadism of his father’s profession. A dentist, as you know, uses your mouth to cause you […]

By: Greg Rowland

FATS WALLER (1904-43) lives in some impossible space between Paganini, St. Augustine, and James Brown. Tracks like “Handful of Keys” show Fats challenging Art Tatum in sublime stride-piano ostentation. But Waller was also fearlessly upfront […]

By: Matthew Battles

The hilo grip on culture may be esoteric, but it’s intimate and comprehensive. It’s a storied jazz combo from the mid-twentieth century — featuring Grammy winner Gene Puerling! It’s a high-concept, low-budget film festival ( […]