By: Joe Alterio

SMOKE SIGNAL

By: Adrienne Crew

Adrienne Crew on LA BARONNE EMILE D’ERLANGER

By: Anthony Miller

Ephemeral, corporeal, sacramental art.

By: Mark Kingwell

Her startling vision has become the American vernacular.

By: William Nericcio

Before Lady Gaga, there was Nahui Olín.

By: Brian Berger

His first film was 1932’s PIE, PIE, BLACKBIRD.

By: Joe Alterio

He invented the manic, spongey cartoon style we take for granted.

By: Jerrold Freitag

Hitler’s most hated artist.

By: Gary Panter

Catastrophic collage boxes and birdcages.

By: Jacob Mikanowski

His informed predictions were mixed with wild speculation.

By: Joshua Glenn

“Speedway” (1934)

By: Karinne Keithley Syers

Dance as a place of attuning one’s relation­ship to bio­physical life.

By: Brian Berger

“We must get to the painting of ourselves, our history…”

By: Jacob Mikanowski

Abstract shapes in black and red collide in empty space.

By: William Nericcio

His murals transform, and transform you, as you stroll past them.