By: Gary Panter

“Phone Call”

By: Gary Panter

A series that began as a pen exercise.

By: Gary Panter

The mission’s leader is the scariest monster in the movie.

By: Gary Panter

Colorful and lame and insane, it was the weirdest of Ahern’s creations.

By: Gary Panter

Introduction to our 2013 edition of Cicely Hamilton’s sci-fi novel.

By: Gary Panter

An oscilloscope sine wave display, atmospheric woodwind and harp flutter.

By: Gary Panter

THE TRIBE OF HIPPIES

By: Gary Panter

DINOSAUR BONES

By: Gary Panter

Gary Panter on THE PASSAGE

By: Gary Panter

Catastrophic collage boxes and birdcages.

By: Gary Panter

A world of seedy, jazzy, criminal, sexed-up human monsters.

By: Gary Panter

Optically giving, mind-teasing, unabashedly beautiful paintings.

By: Gary Panter

Without him, The Sixties as we know them might not have happened.

By: Gary Panter

Gary Panter on SHE’S NOT THERE

By: Gary Panter

His violent Tarzan comics were as cool and still as a bas relief.