Frank Zappa

By: Erik Davis

Of all the hilo heroes of American music, only FRANK ZAPPA (1940-93) turned the scramble of the brainy and the base into an aesthetic practice so strident it counts as an ethical philosophy. The dialectic […]

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Kirk Hammett

By: Erik Davis

Long before they became whiners — carping about Napster and exploring their inner kiddie tantrums in Some Kind of Monster — Metallica were America’s best metal band, or at least the best American metal band […]

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Aleister Crowley

By: Erik Davis

ALEISTER CROWLEY (1875–1947) Mountaineer, fiendish hedonist, and magus incandescent, ALEISTER CROWLEY (1875–1947) remains one of the more remarkable figures of Edwardian letters, though his peculiar reputation makes a frank assessment of the man a rare […]

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A. E. Waite

By: Erik Davis

Within the western current of occult mysticism, A. E. WAITE (1857–1942) stands out as a prototype of the modern scholar-practitioner — an initiate and seeker who was nonetheless devoted to mapping and organizing the occult […]

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Colin Newman

By: Erik Davis

Now that the radical punch of punk seems no more potent than a daisy in a National Guardsman’s rifle, the artsy-fartsy fundament of its posture has become as evident — and as significant — as […]

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Léon Theremin

By: Erik Davis

Child of St. Petersburg, bug-maker for the KGB, and husband of the African-American dancer Lavinia Williams, LÉON THEREMIN (1896-1993) achieved immortality through the eponymous electronic instrument he invented in 1920. Originally called the “aetherphone,” the […]

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