“INTO CRIMSON DARK”
By:
October 2, 2024
A (pro- or anti-) science-, mathematics-, technology-, space-, apocalypse-, dehumanization-, disenchantment-, and/or future-oriented poem published during sf’s emergent Radium Age (c. 1900–1935). Research and selection by Joshua Glenn.
Into crimson dark thou goest,
Thy vast orbits mock the eye.
Small the echo that thou throwest,
Far, I hear thy footfalls die.
Art thou near? — too far for greeting?
Lost in topless altitudes?
Shall I wait a sudden meeting
Where sonorous stillness broods?
In the solitude resounding
Distant footsteps echo free.
Is it thou who flamest, bounding
Circles of infinity?
— Not sure what year — but before the poet’s death in 1921. The preeminent symbolist and lyric poet of early-twentieth-century Russia, in his poetry Blok mercilessly extolled the disintegration of Russia.
From Russian Poetry: An Anthology, chosen and translated by Babette Deutsch and Avrahm Yarmolinsky (1927).
RADIUM AGE PROTO-SF POETRY: Stephen Spender’s THE PYLONS | George Sterling’s THE TESTIMONY OF THE SUNS | Archibald MacLeish’s EINSTEIN | Thomas Thornely’s THE ATOM | C.S. Lewis’s DYMER | Stephen Vincent Benét’s METROPOLITAN NIGHTMARE | Robert Frost’s FIRE AND ICE | Aldous Huxley’s FIFTH PHILOSOPHER’S SONG | Sara Teasdale’s “THERE WILL COME SOFT RAINS” | Edith Södergran’s ON FOOT I HAD TO… | Robert Graves’s WELSH INCIDENT | Nancy Cunard’s ZEPPELINS | D.H. Lawrence’s WELLSIAN FUTURES | & many more.