SCHEMATIZING (39)

By: Joshua Glenn
July 3, 2024

One in a series of posts via which HILOBROW’S Josh Glenn will attempt to depict the intellectual and emotional highs and lows of developing a semiotic schema. Series dedicated to its target audience of one: Malcolm Evans.

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Hundertwasser’s “The Big Way” (1955)

The artists’s comment on this work: “I also had in mind the circular form of hopscotch that kids play and that’s called ‘Snail’s Hopscotch’ in German (the French call it jeu d’oie). You start hopping and gradually move toward the center, until you miss a field and have to start all over again. You advance and are forced to retreat, just like in real life.”

A very attractive and mesmerizing way to do a four-quadrant “squared circle,” though in my own work there’s no spiral along which you travel inward, and no center at which to arrive. I will say, though, that Hundertwasser’s use of shiny lacquers to create little portals — wormholes, perhaps connecting this artwork/semiosphere to another — really floats my boat.

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MORE FURSHLUGGINER THEORIES BY JOSH GLENN: SCHEMATIZING | IN CAHOOTS | JOSH’S MIDJOURNEY | POPSZTÁR SAMIZDAT | VIRUS VIGILANTE | TAKING THE MICKEY | WE ARE IRON MAN | AND WE LIVED BENEATH THE WAVES | IS IT A CHAMBER POT? | I’D LIKE TO FORCE THE WORLD TO SING | THE ARGONAUT FOLLY | THE PERFECT FLANEUR | THE TWENTIETH DAY OF JANUARY | THE REAL THING | THE YHWH VIRUS | THE SWEETEST HANGOVER | THE ORIGINAL STOOGE | BACK TO UTOPIA | FAKE AUTHENTICITY | CAMP, KITSCH & CHEESE | THE UNCLE HYPOTHESIS | MEET THE SEMIONAUTS | THE ABDUCTIVE METHOD | ORIGIN OF THE POGO | THE BLACK IRON PRISON | BLUE KRISHMA | BIG MAL LIVES | SCHMOOZITSU | YOU DOWN WITH VCP? | CALVIN PEEING MEME | DANIEL CLOWES: AGAINST GROOVY | DEBATING IN A VACUUM | PLUPERFECT PDA | SHOCKING BLOCKING.

Categories

Semiotics, Spectacles