SPACE (1)
By:
October 3, 2023
John Buchan’s story “Space,” which first appeared in Blackwood’s Edinburgh Magazine (May 1911), and which was collected the following year in the author’s The Moon Endureth, presents the concept that the “corridors of space” shift constantly according to arcane and terrifying mathematical principles. HiLoBooks is pleased to serialize it here for HILOBROW’s readers.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8.
“Est impossibile? Certum est.”
—TERTULLIAN.
Leithen told me this story one evening in early September as we sat beside the pony track which gropes its way from Glenvalin up the Correi na Sidhe. I had arrived that afternoon from the south, while he had been taking an off-day from a week’s stalking, so we had walked up the glen together after tea to get the news of the forest. A rifle was out on the Correi na Sidhe beat, and a thin spire of smoke had risen from the top of Sgurr Dearg to show that a stag had been killed at the burnhead. The lumpish hill pony with its deer-saddle had gone up the Correi in a gillie’s charge while we followed at leisure, picking our way among the loose granite rocks and the patches of wet bogland. The track climbed high on one of the ridges of Sgurr Dearg, till it hung over a caldron of green glen with the Alt-na-Sidhe churning in its linn a thousand feet below. It was a breathless evening, I remember, with a pale-blue sky just clearing from the haze of the day. West-wind weather may make the North, even in September, no bad imitation of the Tropics, and I sincerely pitied the man who all these stifling hours had been toiling on the screes of Sgurr Dearg. By-and-by we sat down on a bank of heather, and idly watched the trough swimming at our feet. The clatter of the pony’s hoofs grew fainter, the drone of bees had gone, even the midges seemed to have forgotten their calling. No place on earth can be so deathly still as a deer-forest early in the season before the stags have begun roaring, for there are no sheep with their homely noises, and only the rare croak of a raven breaks the silence. The hillside was far from sheer — one could have walked down with a little care — but something in the shape of the hollow and the remote gleam of white water gave it an extraordinary depth and space. There was a shimmer left from the day’s heat, which invested bracken and rock and scree with a curious airy unreality. One could almost have believed that the eye had tricked the mind, that all was mirage, that five yards from the path the solid earth fell away into nothingness. I have a bad head, and instinctively I drew farther back into the heather. Leithen’s eyes were looking vacantly before him.
“Did you ever know Hollond?” he asked.
Then he laughed shortly. “I don’t know why I asked that, but somehow this place reminded me of Hollond. That glimmering hollow looks as if it were the beginning of eternity. It must be eerie to live with the feeling always on one.”
Leithen seemed disinclined for further exercise. He lit a pipe and smoked quietly for a little. “Odd that you didn’t know Hollond. You must have heard his name. I thought you amused yourself with metaphysics.”
Then I remembered. There had been an erratic genius who had written some articles in Mind on that dreary subject, the mathematical conception of infinity. Men had praised them to me, but I confess I never quite understood their argument. “Wasn’t he some sort of mathematical professor?” I asked.
“He was, and, in his own way, a tremendous swell. He wrote a book on Number which has translations in every European language. He is dead now, and the Royal Society founded a medal in his honour. But I wasn’t thinking of that side of him.”
It was the time and place for a story, for the pony would not be back for an hour. So I asked Leithen about the other side of Hollond which was recalled to him by Correi na Sidhe. He seemed a little unwilling to speak…
“I wonder if you will understand it. You ought to, of course, better than me, for you know something of philosophy. But it took me a long time to get the hang of it, and I can’t give you any kind of explanation. He was my fag at Eton, and when I began to get on at the Bar I was able to advise him on one or two private matters, so that he rather fancied my legal ability. He came to me with his story because he had to tell someone, and he wouldn’t trust a colleague. He said he didn’t want a scientist to know, for scientists were either pledged to their own theories and wouldn’t understand, or, if they understood, would get ahead of him in his researches. He wanted a lawyer, he said, who was accustomed to weighing evidence. That was good sense, for evidence must always be judged by the same laws, and I suppose in the long-run the most abstruse business comes down to a fairly simple deduction from certain data. Anyhow, that was the way he used to talk, and I listened to him, for I liked the man, and had an enormous respect for his brains. At Eton he sluiced down all the mathematics they could give him, and he was an astonishing swell at Cambridge. He was a simple fellow, too, and talked no more jargon than he could help. I used to climb with him in the Alps now and then, and you would never have guessed that he had any thoughts beyond getting up steep rocks.
Editor’s note: Edward Leithen is a fictional character in several of Buchan’s novels: The Power-House, John Macnab, The Dancing Floor, The Gap in the Curtain, and Sick Heart River.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: James Parker’s Cocky the Fox | Annalee Newitz’s “The Great Oxygen Race” | Matthew Battles’s “Imago” | & many more original and reissued novels and stories.