SCHEMATIZING (12)

By: Joshua Glenn
June 20, 2023

One in a series of posts via which HILOBROW’S Josh Glenn will attempt to depict the intellectual and emotional highs and lows of developing a semiotic schema.

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Source: Veit Froer Goethe-Gymnasium Ludwigsburg.

This Foucault Pendulum animation demonstrates how my semiotic G-schema is intended to be perused.

One should direct one’s attention from one sector to the next, moving around the circle either clockwise or counter-clockwise, (doesn’t matter), while at the same time toggling back and forth between opposing sectors — since it’s a system of binaries.

PS: Harmonographs, also known as lissajous patterns, are geometric images created by pendulums.

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MORE FURSHLUGGINER THEORIES BY JOSH GLENN: SCHEMATIZING | IN CAHOOTS | JOSH’S MIDJOURNEY | POPSZTÁR SAMIZDAT | VIRUS VIGILANTE | TAKING THE MICKEY | WE ARE IRON MAN | AND WE LIVED BENEATH THE WAVES | IS IT A CHAMBER POT? | I’D LIKE TO FORCE THE WORLD TO SING | THE ARGONAUT FOLLY | THE PERFECT FLANEUR | THE TWENTIETH DAY OF JANUARY | THE REAL THING | THE YHWH VIRUS | THE SWEETEST HANGOVER | THE ORIGINAL STOOGE | BACK TO UTOPIA | FAKE AUTHENTICITY | CAMP, KITSCH & CHEESE | THE UNCLE HYPOTHESIS | MEET THE SEMIONAUTS | THE ABDUCTIVE METHOD | ORIGIN OF THE POGO | THE BLACK IRON PRISON | BLUE KRISHMA | BIG MAL LIVES | SCHMOOZITSU | YOU DOWN WITH VCP? | CALVIN PEEING MEME | DANIEL CLOWES: AGAINST GROOVY | DEBATING IN A VACUUM | PLUPERFECT PDA | SHOCKING BLOCKING.

Categories

Semiotics, Spectacles