THE LAND IRONCLADS (6)
By:
February 20, 2022
HiLoBooks is pleased to serialize H.G. Wells’s “The Land Ironclads” for HILOBROW’s readers. Published in The Strand in 1903, this proto-sf tale contributed to Wells’s reputation as a “prophet of the future” when tanks first appeared in 1916.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10.
For a moment the men about him stuck to their position and fired furiously. Then the lean man in a mood of precipitancy slid backwards, and the war correspondent said “Come along” to the artist, and led the movement along the trench.
As they dropped down, the vision of a hillside of trench being rushed by a dozen vast cockroaches disappeared for a space, and instead was one of a narrow passage, crowded with men, for the most part receding, though one or two turned or halted. He never turned back to see the nose of the monster creep over the brow of the trench; he never even troubled to keep in touch with the artist. He heard the “whit” of bullets about him soon enough, and saw a man before him stumble and drop, and then he was one of a furious crowd fighting to get into a transverse zigzag ditch that enabled the defenders to get under cover up and down the hill. It was like a theatre panic. He gathered from signs and fragmentary words that on ahead another of these monsters had also won to the second trench.
He lost his interest in the general course of the battle for a space altogether; he became simply a modest egotist, in a mood of hasty circumspection, seeking the farthest rear, amidst a dispersed multitude of disconcerted riflemen similarly employed. He scrambled down through trenches, he took his courage in both hands and sprinted across the open, he had moments of panic when it seemed madness not to be quadrupedal, and moments of shame when he stood up and faced about to see how the fight was going. And he was one of many thousand very similar men that morning. On the ridge he halted in a knot of scrub, and was for a few minutes almost minded to stop and see things out.
The day was now fully come. The grey sky had changed to blue, and of all the cloudy masses of the dawn there remained only a few patches of dissolving fleeciness. The world below was bright and singularly clear. The ridge was not, perhaps, more than a hundred feet or so above the general plain, but in this flat region it sufficed to give the effect of extensive view. Away on the north side of the ridge, little and far, were the camps, the ordered wagons, all the gear of a big army; with officers galloping about and men doing aimless things. Here and there men were falling in, however and the cavalry was forming up on the plain beyond the tents. The bulk of men who had been in the trenches were still on the move to the rear, scattered like sheep without a shepherd over the farther slopes. Here and there were little rallies and attempts to wait and do — something vague; but the general drift was away from any concentration. There on the southern side was the elaborate lacework of trenches and defences, across which these iron turtles, fourteen of them spread out over a line of perhaps three miles, were now advancing as fast as a man could trot, and methodically shooting down and breaking up any persistent knots of resistance. Here and there stood little clumps of men, outflanked and unable to get away, showing the white flag, and the invader’s cyclist-infantry was advancing now across the open, in open order but unmolested, to complete the work of the machines. Surveyed at large, the defenders already looked a beaten army. A mechanism that was effectually ironclad against bullets, that could at a pinch cross a thirty-foot trench, and that seemed able to shoot out rifle-bullets with unerring precision, was clearly an inevitable victor against anything but rivers, precipices, and guns.
He looked at his watch. “Half-past four! Lord! What things can happen in two hours. Here’s the whole blessed army being walked over, and at half-past two ——
“And even now our blessed louts haven’t done a thing with their guns!”
He scanned the ridge right and left of him with his glasses. He turned again to the nearest land ironclad, advancing now obliquely to him and not three hundred yards away, and then scrambled the ground over which he must retreat if he was not to be captured.
“They’ll do nothing,” he said, and glanced again at the enemy.
And then from far away to the left came the thud of a gun, followed very rapidly by a rolling gunfire.
He hesitated and decided to stay.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit”.