No Man’s Land (8)
By:
July 19, 2015
HiLoBooks is pleased to serialize John Buchan’s 1899 science fiction novella No Man’s Land. First published in Blackwood’s Magazine, the story is sometimes cited as an influence on Robert E. Howard and other pulp writers of Howard’s era. We are great admirers of Buchan’s, at HILOBROW: Seven of his books appear on our list of the 200 Greatest Adventure Novels, and we’ve previously serialized his 1922 adventure novel Huntingtower. Enjoy!
The ruined cottage in the hollow of the waste with the single gnarled apple tree was before me in a twinkling. I remembered the shepherd’s shrinking from the place and the name, and his wild eyes when he told me of the thing that had happened there. I seemed to see the old man in his moorland cottage, thinking no evil; the sudden entry of the nameless things; and then the eyes glazed in unspeakable terror. I felt my lips dry and burning. Above me was the vault of rock; in the distance I saw the fire-glow and the shadows of shapes moving around it. My fright was too great for inaction, so I crept from the couch, and silently, stealthily, with tottering steps and bursting heart, I began to reconnoitre.
But I was still bound, my arms tightly, my legs more loosely, but yet firm enough to hinder flight. I could not get my hands at my leg straps, still less could I undo the manacles. I rolled on the floor, seeking some sharp edge of rock, but all had been worn smooth by the use of centuries. Then suddenly an idea came upon me like an inspiration. The sounds from the fire seemed to have ceased, and I could hear them repeated from another and more distant part of the cave. The Folk had left their orgy round the blaze, and at the end of the long tunnel I saw its glow fall unimpeded upon the floor. Once there, I might burn off my fetters and be free to turn my thoughts to escape.
I crawled a little way with much labour. Then suddenly I came abreast an opening in the wall, through which a path went. It was a long straight rock-cutting, and at the end I saw a gleam of pale light. It must be the open air; the way of escape was prepared for me; and with a prayer I made what speed I could towards the fire.
I rolled on the verge, but the fuel was peat, and the warm ashes would not burn the cords. In desperation I went farther, and my clothes began to singe, while my face ached beyond endurance. But yet I got no nearer my object. The strips of hide warped and cracked, but did not burn. Then in a last effort I thrust my wrists bodily into the glow and held them there. In an instant I drew them out with a groan of pain, scarred and sore, but to my joy with the band snapped in one place. Weak as I was, it was now easy to free myself, and then came the untying of my legs. My hands trembled, my eyes were dazed with hurry, and I was longer over the job than need have been. But at length I had loosed my cramped knees and stood on my feet, a free man once more.
I kicked off my boots, and fled noiselessly down the passage to the tunnel mouth. Apparently it was close on evening, for the white light had faded to a pale yellow. But it was daylight, and that was all I sought, and I ran for it as eagerly as ever runner ran to a goal. I came out on a rock shelf, beneath which a moraine of boulders fell away in a chasm to a dark loch. It was all but night, but I could see the gnarled and fortressed rocks rise in ramparts above, and below the unknown screes and cliffs which make the side of the Muneraw a place only for foxes and the fowls of the air.
The first taste of liberty is an intoxication, and assuredly I was mad when I leaped down among the boulders. Happily at the top of the gully the stones were large and stable, else the noise would certainly have discovered me. Down I went, slipping, praying, my charred wrists aching, and my stockinged feet wet with blood. Soon I was in the jaws of the cleft, and a pale star rose before me. I have always been timid in the face of great rocks, and now, had not an awful terror been dogging my footsteps, no power on earth could have driven me to that descent.
Soon I left the boulders behind, and came to long spouts of little stones, which moved with me till the hillside seemed sinking under my feet. Sometimes I was face downwards, once and again I must have fallen for yards. Had there been a cliff at the foot, I should have gone over it without resistance; but by the providence of God the spout ended in a long curve into the heather of the bog.
When I found my feet once more on soft boggy earth, my strength was renewed within me. A hope of escape sprang up in my heart. For a second I looked back. There was a great line of shingle with the cliffs beyond, and above all the unknown blackness of the cleft. There lay my terror, and I set off running across the bog for dear life. My mind was clear enough to know my road. If I held round the loch in front I should come to a burn which fed the Farawa stream, on whose banks stood the shepherd’s cottage. The loch could not be far; once at the Farawa I would have the light of the shieling clear before me.
Suddenly I heard behind me, as if coming from the hillside, the patter of feet. It was the sound which white hares make in the winter-time on a noiseless frosty day as they patter over the snow. I have heard the same soft noise from a herd of deer when they changed their pastures. Strange that so kindly a sound should put the very fear of death in my heart. I ran madly, blindly, yet thinking shrewdly. The loch was before me. Somewhere I had read or heard, I do not know where, that the brutish aboriginal races of the North could not swim. I myself swam powerfully; could I but cross the loch I should save two miles of a desperate country.
There was no time to lose, for the patter was coming nearer, and I was almost at the loch’s edge. I tore off my coat and rushed in. The bottom was mossy, and I had to struggle far before I found any depth. Something plashed in the water before me, and then something else a little behind. The thought that I was a mark for unknown missiles made me crazy with fright, and I struck fiercely out for the other shore. A gleam of moonlight was on the water at the burn’s exit, and thither I guided myself. I found the thing difficult enough in itself, for my hands ached, and I was numb from my bonds. But my fancy raised a thousand phantoms to vex me. Swimming in that black bog water, pursued by those nameless things, I seemed to be in a world of horror far removed from the kindly world of men. My strength seemed inexhaustible from my terror. Monsters at the bottom of the water seemed to bite at my feet, and the pain of my wrists made me believe that the loch was boiling hot, and that I was in some hellish place of torment.
I came out on a spit of gravel above the burn mouth, and set off down the ravine of the burn. It was a strait place, strewn with rocks; but now and then the hill turf came in stretches, and eased my wounded feet. Soon the fall became more abrupt, and I was slipping down a hillside, with the water on my left making great cascades in the granite. And then I was out in the wider vale where the Farawa water flowed among links of moss.
Far in front, a speck in the blue darkness, shone the light of the cottage. I panted forward, my breath coming in gasps and my back shot with fiery pains. Happily the land was easier for the feet as long as I kept on the skirts of the bog. My ears were sharp as a wild beast’s with fear, as I listened for the noise of pursuit. Nothing came but the rustle of the gentlest hill wind and the chatter of the falling streams.
Then suddenly the light began to waver and move athwart the window. I knew what it meant. In a minute or two the household at the cottage would retire to rest, and the lamp would be put out. True, I might find the place in the dark, for there was a moon of sorts and the road was not desperate. But somehow in that hour the lamplight gave a promise of safety which I clung to despairingly.
And then the last straw was added to my misery. Behind me came the pad of feet, the pat-patter, soft, eerie, incredibly swift. I choked with fear, and flung myself forward in a last effort. I give my word it was sheer mechanical shrinking that drove me on. God knows I would have lain down to die in the heather, had the things behind me been a common terror of life.
I ran as man never ran before, leaping hags, scrambling through green well-heads, straining towards the fast-dying light. A quarter of a mile and the patter sounded nearer. Soon I was not two hundred yards off, and the noise seemed almost at my elbow. The light went out, and the black mass of the cottage loomed in the dark.
Then, before I knew, I was at the door, battering it wearily and yelling for help. I heard steps within and a hand on the bolt. Something shot past me with lightning force and buried itself in the wood. The dreadful hands were almost at my throat, when the door was opened and I stumbled in, hearing with a gulp of joy the key turn and the bar fall behind me.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire”.
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”