No Man’s Land (2)
By:
June 8, 2015
HiLoBooks is pleased to serialize John Buchan’s 1899 science fiction novella No Man’s Land. First published in Blackwood’s Magazine, the story is sometimes cited as an influence on Robert E. Howard and other pulp writers of Howard’s era. We are great admirers of Buchan’s, at HILOBROW: Seven of his books appear on our list of the 200 Greatest Adventure Novels, and we’ve previously serialized his 1922 adventure novel Huntingtower. Enjoy!
I laughed, and he went to his rooms and returned with a large leather-bound book. It was lettered, in the rococo style of a young man’s taste, Glimpses of the Unknown, and some of the said glimpses he proceeded to impart to me. It was not pleasant reading; indeed, I had rarely heard anything so well fitted to shatter sensitive nerves. The early part consisted of folk-tales and folk-sayings, some of them wholly obscure, some of them with a glint of meaning, but all of them with some hint of a mystery in the hills. I heard the Brownie story in countless versions. Now the thing was a friendly little man, who wore grey breeches and lived on brose; now he was a twisted being, the sight of which made the ewes miscarry in the lambing time. But the second part was the stranger, for it was made up of actual tales, most of them with date and place appended. It was a most Bedlamite catalogue of horrors, which, if true, made the wholesome moors a place instinct with tragedy. Some told of children carried away from villages, even from towns, on the verge of the uplands. In almost every case they were girls, and the strange fact was their utter disappearance. Two little girls would be coming home from school, would be seen last by a neighbour just where the road crossed a patch of heath or entered a wood and then — no human eye ever saw them again. Children’s cries had startled outlying shepherds in the night, and when they had rushed to the door they could hear nothing but the night wind. The instances of such disappearances were not very common — perhaps once in twenty years — but they were confined to this one tract of country, and came in a sort of fixed progression from the middle of last century, when the record began.
But this was only one side of the history. The latter part was all devoted to a chronicle of crimes which had gone unpunished, seeing that no hand had ever been traced. The list was fuller in last century [the narrative of Mr. Graves was written in the year 1898]; in the early years of the present it had dwindled; then came a revival about the ’Fifties; and now again in our own time it had sunk low. At the little cottage of Auchterbrean, on the roadside in Glen Aller, a labourer’s wife had been found pierced to the heart. It was thought to be a case of a woman’s jealousy, and her neighbour was accused, convicted, and hanged. The woman, to be sure, denied the charge with her last breath; but circumstantial evidence seemed sufficiently strong against her. Yet some people in the glen believed her guiltless. In particular, the carrier who had found the dead woman declared that the way in which her neighbour received the news was a sufficient proof of innocence; and the doctor who was first summoned professed himself unable to tell with what instrument the wound had been given. But this was all before the days of expert evidence, so the woman had been hanged without scruple. Then there had been another story of peculiar horror, telling of the death of an old man at some little lonely shieling called Carrickfey. But at this point I had risen in protest, and made to drive the young idiot from my room.
“It was my grandfather who collected most of them,” he said. “He had theories,[*] but people called him mad, so he was wise enough to hold his tongue. My father declares the whole thing mania; but I rescued the book, had it bound, and added to the collection. It is a queer hobby; but, as I say, I have theories, and there are more things in heaven and earth —”
But at this he heard a friend’s voice in the Quad., and dived out, leaving the banal quotation unfinished.
Strange though it may seem, this madness kept coming back to me as I crossed the last few miles of moor. I was now on a rough tableland, the watershed between two lochs, and beyond and above me rose the stony backs of the hills. The burns fell down in a chaos of granite boulders, and huge slabs of grey stone lay flat and tumbled in the heather. The full waters looked prosperously for my fishing, and I began to forget all fancies in anticipation of sport.
Then suddenly in a hollow of land I came on a ruined cottage. It had been a very small place, but the walls were still half erect, and the little moorland garden was outlined on the turf. A lonely apple tree, twisted and gnarled with winds, stood in the midst.
From higher up on the hill I heard a loud hail, and I knew my excellent friend the shepherd of Farawa, who had come thus far to meet me. He greeted me with the boisterous embarrassment which was his way of prefacing hospitality. A grave reserved man at other times, on such occasions he thought it proper to relapse into hilarity. I fell into step with him, and we set off for his dwelling. But first I had the curiosity to look back to the tumble-down cottage and ask him its name.
A queer look came into his eyes. “They oa’ the place Carrickfey,” he said. “Naebody has daured to bide there this twenty year sin’ — but I see ye ken the story.” And, as if glad to leave the subject, he hastened to discourse on fishing.
[*] In the light of subsequent events I have jotted down the materials to which I refer. The last authentic record of the Brownie is in the narrative of the shepherd of Clachlands, taken down towards the close of last century by the Reverend Mr. Gillespie, minister of Allerkirk, and included by him in his Songs and Legends of Glen Aller. The authorities on the strange carrying away of children are to be found in a series of articles in a local paper, the Allerfoot Advertiser, September and October 1878, and a curious book published anonymously at Edinburgh in 1848, entitled The Weathergaw. The records of the unexplained murders in the same neighbourhood are all contained in Mr. Fordoun’s Theory of Expert Evidence, and an attack on the book in the Law Review for June 1881. The Carrickfey case has a pamphlet to itself — now extremely rare — a copy of which was recently obtained in a bookseller’s shop in Dumfries by a well-known antiquary, and presented to the Advocates’ Library in Edinburgh.
* Brose is a Scots word for an uncooked form of porridge: oatmeal (and/or other meals) is mixed with boiling water and allowed to stand for a short time. It is eaten with salt and butter, milk or buttermilk.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire”.
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”