The Lost Prince (1)
By:
January 3, 2014
Frances Hodgson Burnett is best known for her sentimental children’s novels Little Lord Fauntleroy (1885-6), A Little Princess (1905), and The Secret Garden (1911). But HiLoBooks prefers a later Burnett novel: The Lost Prince, a 1915 Ruritanian-style thriller in which two adolescent boys, one of whom is a disabled street urchin called “The Rat,” play a proto-Alternate Reality Game about a revolution in far-off Samavia… which turns into the real thing.
HILOBROW is pleased to serialize The Lost Prince, our first departure from Radium Age science fiction — into adventure fiction. A new installment will appear each week for thirty-one weeks.
There are many dreary and dingy rows of ugly houses in certain parts of London, but there certainly could not be any row more ugly or dingier than Philibert Place. There were stories that it had once been more attractive, but that had been so long ago that no one remembered the time. It stood back in its gloomy, narrow strips of uncared-for, smoky gardens, whose broken iron railings were supposed to protect it from the surging traffic of a road which was always roaring with the rattle of busses, cabs, drays, and vans, and the passing of people who were shabbily dressed and looked as if they were either going to hard work or coming from it, or hurrying to see if they could find some of it to do to keep themselves from going hungry. The brick fronts of the houses were blackened with smoke, their windows were nearly all dirty and hung with dingy curtains, or had no curtains at all; the strips of ground, which had once been intended to grow flowers in, had been trodden down into bare earth in which even weeds had forgotten to grow. One of them was used as a stone-cutter’s yard, and cheap monuments, crosses, and slates were set out for sale, bearing inscriptions beginning with “Sacred to the Memory of.” Another had piles of old lumber in it, another exhibited second-hand furniture, chairs with unsteady legs, sofas with horsehair stuffing bulging out of holes in their covering, mirrors with blotches or cracks in them. The insides of the houses were as gloomy as the outside. They were all exactly alike. In each a dark entrance passage led to narrow stairs going up to bedrooms, and to narrow steps going down to a basement kitchen. The back bedroom looked out on small, sooty, flagged yards, where thin cats quarreled, or sat on the coping of the brick walls hoping that sometime they might feel the sun; the front rooms looked over the noisy road, and through their windows came the roar and rattle of it. It was shabby and cheerless on the brightest days, and on foggy or rainy ones it was the most forlorn place in London.
At least that was what one boy thought as he stood near the iron railings watching the passers-by on the morning on which this story begins, which was also the morning after he had been brought by his father to live as a lodger in the back sitting-room of the house No. 7.
He was a boy about twelve years old, his name was Marco Loristan, and he was the kind of boy people look at a second time when they have looked at him once. In the first place, he was a very big boy — tall for his years, and with a particularly strong frame. His shoulders were broad and his arms and legs were long and powerful. He was quite used to hearing people say, as they glanced at him, “What a fine, big lad!” And then they always looked again at his face. It was not an English face or an American one, and was very dark in coloring. His features were strong, his black hair grew on his head like a mat, his eyes were large and deep set, and looked out between thick, straight, black lashes. He was as un-English a boy as one could imagine, and an observing person would have been struck at once by a sort of silent look expressed by his whole face, a look which suggested that he was not a boy who talked much.
This look was specially noticeable this morning as he stood before the iron railings. The things he was thinking of were of a kind likely to bring to the face of a twelve-year-old boy an unboyish expression.
He was thinking of the long, hurried journey he and his father and their old soldier servant, Lazarus, had made during the last few days — the journey from Russia. Cramped in a close third-class railway carriage, they had dashed across the Continent as if something important or terrible were driving them, and here they were, settled in London as if they were going to live forever at No. 7 Philibert Place. He knew, however, that though they might stay a year, it was just as probable that, in the middle of some night, his father or Lazarus might waken him from his sleep and say, “Get up — dress yourself quickly. We must go at once.” A few days later, he might be in St. Petersburg, Berlin, Vienna, or Budapest, huddled away in some poor little house as shabby and comfortless as No. 7 Philibert Place.
He passed his hand over his forehead as he thought of it and watched the busses. His strange life and his close association with his father had made him much older than his years, but he was only a boy, after all, and the mystery of things sometimes weighed heavily upon him, and set him to deep wondering.
In not one of the many countries he knew had he ever met a boy whose life was in the least like his own. Other boys had homes in which they spent year after year; they went to school regularly, and played with other boys, and talked openly of the things which happened to them, and the journeys they made. When he remained in a place long enough to make a few boy-friends, he knew he must never forget that his whole existence was a sort of secret whose safety depended upon his own silence and discretion.
This was because of the promises he had made to his father, and they had been the first thing he remembered. Not that he had ever regretted anything connected with his father. He threw his black head up as he thought of that. None of the other boys had such a father, not one of them. His father was his idol and his chief. He had scarcely ever seen him when his clothes had not been poor and shabby, but he had also never seen him when, despite his worn coat and frayed linen, he had not stood out among all others as more distinguished than the most noticeable of them. When he walked down a street, people turned to look at him even oftener than they turned to look at Marco, and the boy felt as if it was not merely because he was a big man with a handsome, dark face, but because he looked, somehow, as if he had been born to command armies, and as if no one would think of disobeying him. Yet Marco had never seen him command any one, and they had always been poor, and shabbily dressed, and often enough ill-fed. But whether they were in one country or another, and whatsoever dark place they seemed to be hiding in, the few people they saw treated him with a sort of deference, and nearly always stood when they were in his presence, unless he bade them sit down.
“It is because they know he is a patriot, and patriots are respected,” the boy had told himself.
He himself wished to be a patriot, though he had never seen his own country of Samavia. He knew it well, however. His father had talked to him about it ever since that day when he had made the promises. He had taught him to know it by helping him to study curious detailed maps of it — maps of its cities, maps of its mountains, maps of its roads. He had told him stories of the wrongs done its people, of their sufferings and struggles for liberty, and, above all, of their unconquerable courage. When they talked together of its history, Marco’s boy-blood burned and leaped in his veins, and he always knew, by the look in his father’s eyes, that his blood burned also. His countrymen had been killed, they had been robbed, they had died by thousands of cruelties and starvation, but their souls had never been conquered, and, through all the years during which more powerful nations crushed and enslaved them, they never ceased to struggle to free themselves and stand unfettered as Samavians had stood centuries before.
“Why do we not live there,” Marco had cried on the day the promises were made. “Why do we not go back and fight? When I am a man, I will be a soldier and die for Samavia.”
“We are of those who must live for Samavia — working day and night,” his father had answered; “denying ourselves, training our bodies and souls, using our brains, learning the things which are best to be done for our people and our country. Even exiles may be Samavian soldiers — I am one, you must be one.”
“Are we exiles?” asked Marco.
“Yes,” was the answer. “But even if we never set foot on Samavian soil, we must give our lives to it. I have given mine since I was sixteen. I shall give it until I die.”
“Have you never lived there?” said Marco.
A strange look shot across his father’s face.
“No,” he answered, and said no more. Marco watching him, knew he must not ask the question again.
The next words his father said were about the promises. Marco was quite a little fellow at the time, but he understood the solemnity of them, and felt that he was being honored as if he were a man.
“When you are a man, you shall know all you wish to know,” Loristan said. “Now you are a child, and your mind must not be burdened. But you must do your part. A child sometimes forgets that words may be dangerous. You must promise never to forget this. Wheresoever you are; if you have playmates, you must remember to be silent about many things. You must not speak of what I do, or of the people who come to see me. You must not mention the things in your life which make it different from the lives of other boys. You must keep in your mind that a secret exists which a chance foolish word might betray. You are a Samavian, and there have been Samavians who have died a thousand deaths rather than betray a secret. You must learn to obey without question, as if you were a soldier. Now you must take your oath of allegiance.”
He rose from his seat and went to a corner of the room. He knelt down, turned back the carpet, lifted a plank, and took something from beneath it. It was a sword, and, as he came back to Marco, he drew it out from its sheath. The child’s strong, little body stiffened and drew itself up, his large, deep eyes flashed. He was to take his oath of allegiance upon a sword as if he were a man. He did not know that his small hand opened and shut with a fierce understanding grip because those of his blood had for long centuries past carried swords and fought with them.
Loristan gave him the big bared weapon, and stood erect before him.
“Repeat these words after me sentence by sentence!” he commanded.
And as he spoke them Marco echoed each one loudly and clearly.
“The sword in my hand — for Samavia!
“The heart in my breast — for Samavia!
“The swiftness of my sight, the thought of my brain, the life of my life — for Samavia.
“Here grows a man for Samavia.
“God be thanked!”
Then Loristan put his hand on the child’s shoulder, and his dark face looked almost fiercely proud.
“From this hour,” he said, “you and I are comrades at arms.”
And from that day to the one on which he stood beside the broken iron railings of No. 7 Philibert Place, Marco had not forgotten for one hour.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire.”
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”