The Comet (3)
By:
June 4, 2013
HILOBROW is pleased to present the third installment of our serialization of “The Comet,” a 1920 science fiction story by W.E.B. DuBois, the most important black protest leader in the United States during the first half of the 20th century. “The Comet” was originally published as the tenth chapter of Du Bois’s avant-garde fiction, poetry, and autobiographical collection Darkwater: Voices From Within the Veil. New installments will appear each Tuesday for five weeks.
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ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5
“What has happened?” she cried. “Tell me! Nothing stirs. All is silence! I see the dead strewn before my window as winnowed by the breath of God, — and see —” She dragged him through great, silken hangings to where, beneath the sheen of mahogany and silver, a little French maid lay stretched in quiet, everlasting sleep, and near her a butler lay prone in his livery.
The tears streamed down the woman’s cheeks and she clung to his arm until the perfume of her breath swept his face and he felt the tremors racing through her body.
“I had been shut up in my dark room developing pictures of the comet which I took last night; when I came out — I saw the dead!
“What has happened?” she cried again.
He answered slowly:
“Something — comet or devil — swept across the earth this morning and — many are dead!”
“Many? Very many?”
“I have searched and I have seen no other living soul but you.”
She gasped and they stared at each other.
“My — father!” she whispered.
“Where is he?”
“He started for the office.”
“Where is it?”
“In the Metropolitan Tower.”
“Leave a note for him here and come.”
Then he stopped.
“No,” he said firmly — “first, we must go — to Harlem.”
“Harlem!” she cried. Then she understood. She tapped her foot at first impatiently. She looked back and shuddered. Then she came resolutely down the steps.
“There’s a swifter car in the garage in the court,” she said.
“I don’t know how to drive it,” he said.
“I do,” she answered.
In ten minutes they were flying to Harlem on the wind. The Stutz rose and raced like an airplane. They took the turn at 110th Street on two wheels and slipped with a shriek into 135th.
He was gone but a moment. Then he returned, and his face was gray. She did not look, but said:
“You have lost — somebody?”
“I have lost — everybody,” he said, simply — “unless —”
He ran back and was gone several minutes — hours they seemed to her.
“Everybody,” he said, and he walked slowly back with something film-like in his hand which he stuffed into his pocket.
“I’m afraid I was selfish,” he said. But already the car was moving toward the park among the dark and lined dead of Harlem — the brown, still faces, the knotted hands, the homely garments, and the silence — the wild and haunting silence. Out of the park, and down Fifth Avenue they whirled. In and out among the dead they slipped and quivered, needing no sound of bell or horn, until the great, square Metropolitan Tower hove in sight. Gently he laid the dead elevator boy aside; the car shot upward. The door of the office stood open. On the threshold lay the stenographer, and, staring at her, sat the dead clerk. The inner office was empty, but a note lay on the desk, folded and addressed but unsent:
Dear Daughter:
I’ve gone for a hundred mile spin in Fred’s new Mercedes. Shall not be back before dinner. I’ll bring Fred with me.
J.B.H.
“Come,” she cried nervously. “We must search the city.”
Up and down, over and across, back again — on went that ghostly search. Everywhere was silence and death — death and silence! They hunted from Madison Square to Spuyten Duyvel; they rushed across the Williamsburg Bridge; they swept over Brooklyn; from the Battery and Morningside Heights they scanned the river. Silence, silence everywhere, and no human sign. Haggard and bedraggled they puffed a third time slowly down Broadway, under the broiling sun, and at last stopped. He sniffed the air. An odor — a smell — and with the shifting breeze a sickening stench filled their nostrils and brought its awful warning. The girl settled back helplessly in her seat.
“What can we do?” she cried.
It was his turn now to take the lead, and he did it quickly.
“The long distance telephone — the telegraph and the cable — night rockets and then — flight!”
She looked at him now with strength and confidence. He did not look like men, as she had always pictured men; but he acted like one and she was content. In fifteen minutes they were at the central telephone exchange. As they came to the door he stepped quickly before her and pressed her gently back as he closed it. She heard him moving to and fro, and knew his burdens — the poor, little burdens he bore. When she entered, he was alone in the room. The grim switchboard flashed its metallic face in cryptic, sphinx-like immobility. She seated herself on a stool and donned the bright earpiece. She looked at the mouthpiece. She had never looked at one so closely before. It was wide and black, pimpled with usage; inert; dead; almost sarcastic in its unfeeling curves. It looked — she beat back the thought — but it looked, — it persisted in looking like — she turned her head and found herself alone. One moment she was terrified; then she thanked him silently for his delicacy and turned resolutely, with a quick intaking of breath.
“Hello!” she called in low tones. She was calling to the world. The world must answer. Would the world answer? Was the world —
Silence!
She had spoken too low.
“Hello!” she cried, full-voiced.
She listened. Silence! Her heart beat quickly. She cried in clear, distinct, loud tones: “Hello — hello — hello!”
What was that whirring? Surely — no — was it the click of a receiver?
She bent close, she moved the pegs in the holes, and called and called, until her voice rose almost to a shriek, and her heart hammered. It was as if she had heard the last flicker of creation, and the evil was silence. Her voice dropped to a sob. She sat stupidly staring into the black and sarcastic mouthpiece, and the thought came again. Hope lay dead within her. Yes, the cable and the rockets remained; but the world — she could not frame the thought or say the word. It was too mighty — too terrible! She turned toward the door with a new fear in her heart. For the first time she seemed to realize that she was alone in the world with a stranger, with something more than a stranger, — with a man alien in blood and culture — unknown, perhaps unknowable. It was awful! She must escape — she must fly; he must not see her again. Who knew what awful thoughts —
She gathered her silken skirts deftly about her young, smooth limbs — listened, and glided into a sidehall. A moment she shrank back: the hall lay filled with dead women; then she leaped to the door and tore at it, with bleeding fingers, until it swung wide. She looked out. He was standing at the top of the alley, — silhouetted, tall and black, motionless. Was he looking at her or away? She did not know — she did not care. She simply leaped and ran — ran until she found herself alone amid the dead and the tall ramparts of towering buildings.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire”.
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”