By: Joe Alterio

“The Libyan student sank like a stone.”

By: Peggy Nelson

A sound piece that needs to be seen.

By: Peggy Nelson

At play in the fields of the word.

By: Joshua Glenn

A scene from THE LITTLE PRINCESS (1939)

By: Jason Grote

A brutality so extreme as to border on black comedy.

By: Joshua Glenn

… by Angie Dickinson and Lee Marvin!

By: Adrienne Crew

Her steely eroticism lent a sense of refinement to depraved encounters.

By: Joshua Glenn

A scene from CLAMBAKE (1967)

By: James Parker

The Ballad of Cocky the Fox: Fit the Nineteenth

By: David Smay

Beauty — rapturous sexy sexy, glorious abandon at war with ethics.

By: Tim Carmody

Each “mistake” or transposition of logic and syntax carried a shift in meaning.

By: Brian Berger

The tenor saxophonist’s tone was a marvel of fluid sincerity.

By: Matthew Battles

Design fiction opens a whole new era in energy drinks.

By: Peggy Nelson

Performing reality.

By: Joshua Glenn

Zamyatin’s We isn’t anti-utopian, but anti-anti-utopian.