“The strange and sinister embroidered on… the normal and easy.”
Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!
Eyes Without a Face: dispassionate yet romantic, gory yet lyrical
The boundary between uncanny and uncanny-fantastic is a difficult one.
Liminal Horror movies — between the supernatural and the everyday.
Why are horror movies from 1960-63 so resistant to critical analysis?