Quatschwatch (4): Cuddly Cthulhu

By: Joshua Glenn

The final paragraph of H.P. Lovecraft and August Derleth’s The Lurker at the Threshold (1945) describes an uncanny scene that nicely limns the Cthulhu Mythos for those of us who may as yet be unfamiliar […]

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Engaged vs. Disengaged Irony

By: Joshua Glenn

A quick note about Neo-Dadaists and Pop Art. This item is excerpted from yesterday’s essay on the Postmodernist Generation. Neo-Dada artists Jasper Johns, Robert Rauschenberg, Claes Oldenburg, and Yves Klein were born between 1924-33. Reacting […]

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Quatschwatch (3): Words of Power

By: Joshua Glenn

The New York Times Magazine recently published a cover story about Spike Jonze, whose cultural productions — for two decades, at this point — have hovered uncannily around the edges of the four heimlich dispositions: […]

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