THE DOOMSMAN (6)
By:
April 19, 2024
Set ninety years after the cataclysmic pandemic of 1925, Van Tassel Sutphen’s The Doomsman imagines a Kamandi-like future in which medievalized American tribes struggle with the marauding Doomsmen for control of the ruins of New York City… where a mad priest worships a powerful technology. HiLoBooks is pleased to serialize this 1905–1906 proto-sf novel for HILOBROW’s readers.
ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30.
TROY TOWN
Constans awoke just as the footsteps died away; he listened, but again the stillness was profound. He felt his way to the secret door; the wainscot screen stood ajar. It was plain that some one had come to the Rat’s-Hole only to discover that the key of the outside door was missing. Constans realized that he, too, had missed something — his chance to get to the bottom of the mystery. Shame on such a sentinel!
Without any definite plan of action, Constans made his way to the lower hall. The moonbeams were pouring a flood of light through the east windows and he could see plainly. The peddler’s couch was empty, save for his gabardine of gray and the false hair that had served him for a beard. There were two figures dimly visible in the obscurity of the vaulted entrance to the water gate. They were working at the clumsy fastenings of the doors. As Constans ran up he recognized his sister Issa and the man who called himself Quinton Edge.
Without a word Constans seized the girl by the arm and swung her behind him. He struck at the Doomsman with his hunting-knife, but the latter caught his wrist with the grip of a wolf-trap. Yet even at that moment of stress Quinton Edge’s voice preserved its soft, mincing inflections; the man wore his irritating affectations of speech as jauntily as he did the ostrich plumes in his cap.
“A brave ruffling of feathers — but gently, gently boy, you are frightening the lady. She goes with me of her full consent. Is it not so, sweetheart?”
“You lie!” said the boy, thickly.
The man laughed. “I tell you,” he went on, “that the girl is mine by her own choice, and you have only to stand aside quietly to save the house and your own skin. But softly now; you are tearing the lace of my sleeve. A plague on your clumsy fingers!”
With a wrench Constans twisted himself free and turned to face his sister. “Issa!” he implored.
But she, with eyes like rain-washed stars, only looked beyond him to where Quinton Edge stood, softly smiling and holding out his womanish white hands. She would have rejoined him, but once again Constans forced her back. The dangling rope of the alarm-bell grazed his hand; he clutched at it, and a clang re-echoed through the court-yard, rousing the recreant warders from their slumbers. In that same instant Quinton Edge blew his whistle.
The Doomsmen must have already crossed the moat and been close up to the water gate, for the response to their leader’s call was immediate. Quinton Edge had just time to remove the last of the bars securing the barrier when the night-watch streamed out tumultuously from their quarters under the arch, and he was obliged to retreat into the court-yard. But already the outlaws had forced apart the wooden leaves of the water gate; now they filled the vaulted passageway, and by sheer impact of superior weight began to drive back the bewildered and disorganized defenders. Friend and foe together, the mass surged into the quadrangle, a blind, indefinite cluster of struggling men, like to a swarm of hiving bees.
The storm had blown over, but the moon was every now and then obscured by masses of scurrying cloud-wrack, and in these periods of semi-darkness Doomsman and Stockader were hardly to be told apart. So closely packed was the scrimmage that the use of any missile weapon was impossible. The dagger and the night-stick (the latter a stout truncheon weighted with lead) were doing the work, and effectively, too. And in that press a man might be struck and die upon his feet, the corpse being stayed from falling through its juxtaposition to the bodies of the living.
The men of the keep, now that they had recovered from their first discomfiture, rallied manfully. So stubborn and bitter raged the struggle that there was not a sound to be heard outside the noise of scuffling feet and the thud of blows. A man when hard beset for his life has no breath to spare for either oath of despair or shout of triumph. But not for long were the scales to swing so evenly; presently the ranks of the Stockaders yielded again to the pressure and broke into separate groups. Then were to be heard the groans of the wounded and dying; then for the first time the yell of the Doomsmen broke forth, ear-piercing in its exultancy.
Constans had managed to reach the shelter of the Great House, half dragging, half carrying the fainting form of his sister. Already Sir Gavan, with Tennant and the house-servants, were under arms and making what preparations they could for the final stand. A hopeless task it seemed, for the outlaws were now in full possession of the rest of the keep. The retainers occupying the general quarters in the south barracks had fallen easy victims. Surprised, out-numbered, and poorly armed, they had been quickly cut down as they reached the court-yard, and active resistance to the invaders was at an end.
Now the attack was turned directly upon the entrance to the Great House, and Sir Gavan, with his handful of followers, waited on the threshold for the inevitable issue. Already the ponderous door of iron-banded oak was groaning and splintering under the hail of blows. And in the forefront, with a laugh upon his lips, hewed Quinton Edge.
The barrier was down at last and the wolves were free to fall upon their quarry. A score of men, all told, against a hundred; the outcome was hardly doubtful. Yet it was not Gavan of the Greenwood Keep who held up his hand in sign of parley, but the Doomsman, Quinton Edge.
“The maiden Issa,” he said, speaking with a smooth insolence that made Constans set his teeth. “Give her safely to my hand and your goods and your lives shall go free of further damage. A cheap bargain; but speak quickly, old man, these hounds of mine are not to be held in leash for long.”
The partisans on either side had fallen back, leaving the two leaders face to face. Sir Gavan plucked twice at his throat, where the veins stood out like cords, constricting the vocal passages so that he stuttered thickly as he spoke.
“This — this gallows-scape!” he stammered. “This burner of peasants’ hayricks, this pitiful plunderer of hen-roosts and cattle byres! If it were a man, now — to nail the insult to his lips ——”
“We lose time,” interrupted the Doomsman. “I have named my price.”
“The price — ah, yes, the price. Tennant, Constans, you heard what he said. But where is my child? Let the girl stand forth; she is her father’s daughter, and she shall answer for herself.”
“I will abide by it,” said Quinton Edge, with cool confidence.
The half-circle opened and Issa stood before them; a mere child she looked in her simple slip of white and with her fair hair all unbound. A vague terror seized upon Sir Gavan. What was this question that he was about to ask of his daughter? Could there be other than the one answer? How quietly she stood there and waited. Yes, and they were all waiting upon him; he must speak.
“Issa!”
It seemed to him that he had shouted aloud; then he realized that he had not spoken at all. “Issa!” he said, again, and she turned towards him.
“This man; he is not known to you. How could it be?”
“Yet it is the truth, my father,” answered the girl, steadily. “It is just a month ago that chance set us face to face — one day when I rode alone in the green drive.”
“And thereafter?”
“Once he came to the walled garden, adventuring the thousand chances of discovery. Yet how he managed to cross the stockade-line I know not, for I was frightened, and begged him to leave me. And this he did most courteously, only swearing that he would again return.”
“The third time?”
“That was the day — the day of the first May-bloom — the Ochre brook and the Doomsmen ——” The girl’s voice faltered.
“Yet never a word to me or to your mother?”
“It was not my secret,” she answered, bravely; and upon that Quinton Edge himself took up the word.
“The blame is mine, since I used the peril in which I stood to set a seal upon her lips. A true and loyal maid is your daughter, and it was only after she had twice said me nay that I resolved to take without the asking. So I came that day which we both remember, and waited under the alder bushes, and once again I missed my cast. Yet was the quest not altogether fruitless, for I carried away this token from my lady’s hostile garden.”
He drew a faded spray of the May-bloom from his doublet and touched it lightly to his lips.
“What gentleman could refuse to redeem so dear a pledge? You have seen how I took head in hand and sat me down under your own roof-tree, my good Gavan of the keep. Faith, it was an even chance on which side the platter would fall, but this time the luck was mine. We should have been leagues away in the sun’s eye by now, only that a peevish boy would have his way.”
“And this — this is also true?” said Sir Gavan, and it seemed that the preceding silence had been very long.
“It is true.” She had answered quietly, almost mechanically, but the heart of the Lady Rayne thrilled to the new note in her child’s voice.
“Issa!” she cried, softly, and fell to weeping, not as a mother for her daughter but as one woman who sorrows for another.
“Issa!” she said, again, but neither then nor thereafter did the girl vouchsafe her mother look or word, all her soul seeming to hang upon the will of the man who had brought this woe upon her house. There was no need for word to pass; reading the command in her lover’s eyes, she slipped from her mother’s detaining clasp and placed her hand in his. Now, Issa was exceeding fair to look upon, and Quinton Edge’s blood stirred hotly within him. And so for once he lost his head and did a foolish thing (only that no woman would agree that it was foolish), for there, in the presence of all, he quickly drew her face to his and kissed her on the lips. Then turning to his men, he made as though to send them from the house.
But it was not to be. A keen-pointed, heavy throwing-knife hung at Sir Gavan’s side. Without a word he snatched it from the sheath, poised and flung it with all his force at his enemy’s heart, a master throw and executed like a flash of light. Issa felt rather than saw the coming of the missile, and with an instinctive movement contrived to interpose her own delicate body. The steel bit deep into the white flesh, and with a little, shuddering cry the girl sank to the floor; out leaped Quinton Edge’s sword. Constans, supporting his mother, felt her hand grow cold in his. He laid her gently down upon a convenient settle and thanked God that she, too, was safe.
It seemed to Constans that he was wandering in a bristling thicket of steel points; thunderous crashes re-echoed in his ears; the red light from the burning building eddied about his feet, a sea of blood and flame. His father and Tennant were down, never to rise again; a few paces in front of him Guyder Touchett headed a little knot of the defenders, swearing furiously as he hewed and hacked. A half-dozen against ten times their number; the issue could not be doubtful. Even as he gazed, two of the six sunk to their knees and then fell face downward, a dreadful sign that even a child might understand.
Now, Guyder Touchett stood alone, and about him a snarling pack of Dom Gillian’s wolves, waiting cautiously upon one another, for the Stockader had a long sword-arm. Thereupon a man broke out of the press, signing the prudent ones to fall back. It was Quinton Edge, and, as ever, he was laughing, only that now his laughter sounded like to a bell that has cracked in the ringing. The swords clashed together; then the Doomsman dropped his point.
“You are too good a man for crows’ meat,” he said, shortly. “Stand clear and save your ears; my business is with the white-faced boy behind you.”
But Guyder Touchett, ruddy, full-bodied, and loving his life as well as any man, only girded at him, saying:
“Is there, then, a deeper hell than this? I follow where my master has gone, and you, my lord, shall show me the way.”
“The more fool you,” quoth Quinton Edge, and drove at him.
Again the blades engaged, and a great fear suddenly tightened at the boy’s heart. His champion had been exhausted by his previous efforts, and now his strength was going fast. Constans saw Touchett stagger and Quinton Edge preparing for a final stroke; he turned and ran for the upper end of the hall — the Rat’s-Hole.
The key was still in his bosom, and in a few seconds he had passed the postern, closing and locking it behind him. Five minutes’ hard running and he was free of the stockade and at the summit of a hill that commanded the scene which he had just left. The conflagration was progressing with astonishing rapidity; already the Great House itself was in flames, and dark figures could be seen issuing from the water gate. There! the red cock was crowing from the top of the bell-tower, and now the whole court-yard was a furnace of fire. A spark carried by the wind fell on his naked shoulder, where it bit like a fiery serpent. Yet he scarcely felt the smart; he stood motionless, looking upon the wreck of his little world, the only one that he had ever known.
“So in the end he made me a coward as well,” said the boy, speaking softly to himself. “Is it that a slave must be a slave — always?”
He drew a long breath. “No, not always. But in the mean time I am to go on living and bearing everywhere his mark — Quinton Edge’s mark. Well, I will begin by learning how to wait.”
He stood irresolute for a moment longer, gazing at the scene of the night’s tragedy as though to impress it indelibly upon his memory. Then turning his back to the east, where the faint saffron of early dawn was now showing, he started off on a long, swinging trot that speedily carried him down the slope and into the deeper shadow of the wood beyond.
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master”.