No Man’s Land (10)
By:
July 31, 2015
HiLoBooks is pleased to serialize John Buchan’s 1899 science fiction novella No Man’s Land. First published in Blackwood’s Magazine, the story is sometimes cited as an influence on Robert E. Howard and other pulp writers of Howard’s era. We are great admirers of Buchan’s, at HILOBROW: Seven of his books appear on our list of the 200 Greatest Adventure Novels, and we’ve previously serialized his 1922 adventure novel Huntingtower. Enjoy!
In the morning I breakfasted in my rooms at St. Chad’s with a dawning sense of safety. I was in a different and calmer world. The lawn-like quadrangles, the great trees, the cawing of rooks, and the homely twitter of sparrows — all seemed decent and settled and pleasing. Indoors the oak-panelled walls, the shelves of books, the pictures, the faint fragrance of tobacco, were very different from the gimcrack adornments and the accursed smell of peat and heather in that deplorable cottage. It was still vacation time, so most of my friends were down, but I spent the day hunting out the few cheerful pedants to whom term and vacation were the same. It delighted me to hear again their precise talk, to hear them make a boast of their work, and narrate the childish little incidents of their life. I yearned for the childish once more; I craved for women’s drawing-rooms, and women’s chatter, and everything which makes life an elegant game. God knows I had had enough of the other thing for a lifetime!
That night I shut myself in my rooms, barred my windows, drew my curtains, and made a great destruction. All books or pictures which recalled to me the moorlands were ruthlessly doomed. Novels, poems, treatises I flung into an old box, for sale to the second-hand bookseller. Some prints and water-colour sketches I tore to pieces with my own hands. I ransacked my fishing-book, and condemned all tackle for moorland waters to the flames. I wrote a letter to my solicitors, bidding them go no further in the purchase of a place in Lorn I had long been thinking of. Then, and not till then, did I feel the bondage of the past a little loosed from my shoulders. I made myself a night-cap of rum punch instead of my usual whisky toddy, that all associations with that dismal land might be forgotten, and to complete the renunciation I returned to cigars and flung my pipe into a drawer.
But when I woke in the morning I found that it is hard to get rid of memories. My feet were still sore and wounded, and when I felt my arms cramped and reflected on the causes, there was that black memory always near to vex me.
In a little term began, and my duties — as deputy professor of Northern Antiquities — were once more clamorous. I can well believe that my hearers found my lectures strange, for instead of dealing with my favourite subjects and matters, which I might modestly say I had made my own, I confined myself to recondite and distant themes, treating even these cursorily and dully. For the truth is, my heart was no more in my subject. I hated — or I thought that I hated — all things Northern with the virulence of utter fear. My reading was confined to science of the most recent kind, to abstruse philosophy. and to foreign classics. Anything which savoured of romance or mystery was abhorrent; I pined for sharp outlines and the tangibility of a high civilization.
All that term I threw myself into the most frivolous life of the place. My Harrow schooldays seemed to have come back to me. I had once been a fair cricketer, so I played again for my college, and made decent scores. I coached an indifferent crew on the river. I fell into the slang of the place, which I had hitherto detested. My former friends looked on me askance, as if some freakish changeling had possessed me. Formerly I had been ready for pedantic discussion, I had been absorbed in my work, men had spoken of me as a rising scholar. Now I fled the very mention of things I had once delighted in. The Professor of Northern Antiquities, a scholar of European reputation, meeting me once in the Parks, embarked on an account of certain novel rings recently found in Scotland, and to his horror found that, when he had got well under way, I had slipped off unnoticed. I heard afterwards that the good old man was found by a friend walking disconsolately with bowed head in the middle of the High Street. Being rescued from among the horses’ feet, he could only murmur, “I am thinking of Graves, poor man! And a year ago he was as sane as I am!”
***
But a man may not long deceive himself. I kept up the illusion valiantly for the term; but I felt instinctively that the fresh schoolboy life, which seemed to me the extreme opposite to the ghoulish North, and as such the most desirable of things, was eternally cut off from me. No cunning affectation could ever dispel my real nature or efface the memory of a week. I realized miserably that sooner or later I must fight it out with my conscience. I began to call myself a coward. The chief thoughts of my mind began to centre themselves more and more round that unknown life waiting to be explored among the wilds.
One day I met a friend — an official in the British Museum — who was full of some new theory about primitive habitations. To me it seemed inconceivably absurd; but he was strong in his confidence, and without flaw in his evidence. The man irritated me, and I burned to prove him wrong, but I could think of no argument which was final against his. Then it flashed upon me that my own experience held the disproof; and without more words I left him, hot, angry with myself, and tantalized by the unattainable.
I might relate my bona-fide experience, but would men believe me? I must bring proofs, I must complete my researches, so as to make them incapable of disbelief. And there in those deserts was waiting the key. There lay the greatest discovery of the century — nay, of the millennium. There, too, lay the road to wealth such as I had never dreamed of. Could I succeed, I should be famous for ever. I would revolutionize history and anthropology; I would systematize folklore; I would show the world of men the pit whence they were digged and the rock whence they were hewn.
And then began a game of battledore between myself and my conscience.
“You are a coward,” said my conscience.
“I am sufficiently brave,” I would answer. “I have seen things and yet lived. The terror is more than mortal, and I cannot face it.”
“You are a coward,” said my conscience.
“I am not bound to go there again. It would be purely for my own aggrandizement if I went, and not for any matter of duty.”
“Nevertheless you are a coward,” said my conscience.
“In any case the matter can wait.”
“You are a coward.”
***
Then came one awful midsummer night, when I lay sleepless and fought the thing out with myself. I knew that the strife was hopeless, that I should have no peace in this world again unless I made the attempt. The dawn was breaking when I came to the final resolution; and when I rose and looked at my face in a mirror, lo! it was white and lined and drawn like a man of sixty.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire”.
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”