Kern Your Enthusiasm (7)
By: Joe Alterio | Categories: Codebreaking, Spectacles

Akzidenz Grotesk

One of 25 installments in a series of posts analyzing and celebrating a few of our favorite (and least favorite) typefaces.

AKZIDENZ-GROTESK | THEINHARDT TYPE FOUNDRY | 1896

The next time some expertly coiffed jerk starts raving about Helvetica Neue, or talking about how they’ve just bought some silkscreen posters featuring typographic representations of ’80s movies in Folio, you can slap them across the face and tell them about Akzidenz-Grotesk, the granddaddy of all those sharp sans serif typefaces that seem to rule our internets these days.

In 18th- and 19th-century Germany — the birthplace, in 1450, of the Western printing press — a robust type and printing industry invented most of what we know about type and how we use it today. The reputation of each type house, or foundry, was based on the unique typefaces it developed… like a gang’s graffiti tags, only fancier. Akzidenz-Grotesk was created by the Theinhardt Schriftgiesserei, one of the Prussian Academy of Sciences foundries, then made popular in the early 20th century by Berlin’s Berthold Type Foundry. In a time where the actual possession of the blocks that make up the type was an essential part of owning a typeface, Berthold made a habit of buying, or just taking over, the typeface creations of smaller foundries which had succumbed to financial or political misfortune. In 1918, with the fall of the Prussian monarchy, Hermann Berthold made Akzidenz-Grotesk his own.

At that time, when the playful, witty Rococo style was still considered the height of sophistication, most successful typefaces boasted aristocratic little flourishes. So Akzidenz-Grotesk, a stark, proto-Brutalist typeface totally out of step with the times, was a revelation. It was rediscovered in the 1950s — along with early 20th century grotesque typefaces, like Franklin Gothic and Monotype Grotesque — by the type designers who gave us that era’s neo-grotesque faces like Univers, and yes, the ubiquitous Helvetica.

I’m a type geek so I enjoy knowing about the origin of Akzidenz-Grotesk… but the most important thing to know about it is what a beautiful bit of design it is. It’s remained popular and influential for a century now because it is regal without being pretentious, clean without being soulless. Its nearly circular bowls, the high join on its “K,” the squared dot on its lowercase “i,” even the sharp intensity of its exclamation point, all add up to something remarkable… and remarkably poised. Akzidenz-Grotesk is the typographical equivalent of that amazing friend of yours who can make cogent, compelling arguments without ever getting heated or cruel. Typefaces come and go: Akzidenz-Grotesk remains.

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2014: KERN YOUR ENTHUSIASM (typefaces): Matthew Battles on ALDINE ITALIC | Adam McGovern on DATA 70 | Sherri Wasserman on TORONTO SUBWAY | Sarah Werner on JOHNSTON’S “HAMLET” | Douglas Wolk on TODD KLONE | Mark Kingwell on GILL SANS | Joe Alterio on AKZIDENZ-GROTESK | Suzanne Fischer on CALIFORNIA BRAILLE | Gary Panter on SHE’S NOT THERE | Deb Chachra on FAUX DEVANAGARI | Peggy Nelson on FUTURA | Tom Nealon on JENSON’S ROMAN | Rob Walker on SAVANNAH SIGN | Tony Leone on TRADE GOTHIC BOLD CONDENSED NO. 20 | Chika Azuma on KUMON WORKSHEET | Chris Spurgeon on ELECTRONIC DISPLAY | Amanda French on DIPLOMA REGULAR | Steve Price on SCREAM QUEEN | Alissa Walker on CHICAGO | Helene Silverman on CHINESE SHIPPING BOX | Tim Spencer on SHATTER | Jessamyn West on COMIC SANS | Whitney Trettien on WILKINS’S REAL CHARACTER | Cintra Wilson on HERMÈS vs. HOTDOG | Jacob Covey on GOTHAM.

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2013: HERC YOUR ENTHUSIASM (old-school hip hop tracks): Luc Sante on “Spoonin’ Rap” | Dallas Penn on “Rapper’s Delight” | Werner Von Wallenrod on “Rappin’ Blow” | DJ Frane on “The Incredible Fulk” | Paul Devlin on “The Adventures of Super Rhyme” | Phil Dyess-Nugent on “That’s the Joint” | Adam McGovern on “Freedom” | David Abrams on “Rapture” | Andrew Hultkrans on “The New Rap Language” | Tim Carmody on “Jazzy Sensation (Bronx Version)” | Drew Huge on “Can I Get a Soul Clap” | Oliver Wang on “The Adventures of Grandmaster Flash on the Wheels of Steel” | Douglas Wolk on “Making Cash Money” | Adrienne Crew on “The Message” | Dart Adams on “Pak Jam” | Alex Belth on “Buffalo Gals” | Joshua Glenn on “Ya Mama” | Phil Freeman on “No Sell Out” | Nate Patrin on “Death Mix Live, Pt. 2″ | Brian Berger on “White Lines (Don’t Do It)” | Cosmo Baker on “Here We Go (Live at the Funhouse)” | Colleen Werthmann on “Rockit” | Roy Christopher on “The Coldest Rap” | Dan Reines on “The Dream Team is in the House” | Franklin Bruno on The Lockers.

2012: KIRK YOUR ENTHUSIASM (Captain Kirk scenes): Dafna Pleban: Justice or vengeance? | Mark Kingwell : Kirk teaches his drill thrall to kiss | Nick Abadzis: “KHAAAAAN!” | Stephen Burt: “No kill I” | Greg Rowland: Kirk browbeats NOMAD | Zack Handlen: Kirk’s eulogy for Spock| Peggy Nelson: The joke is on Kirk | Kevin Church: Kirk vs. Decker | Enrique Ramirez: Good Kirk vs. Evil Kirk | Adam McGovern: Captain Camelot | Flourish Klink: Koon-ut-kal-if-fee | David Smay: Federation exceptionalism | Amanda LaPergola: Wizard fight | Steve Schneider: A million things you can’t have | Joshua Glenn: Debating in a vacuum | Kelly Jean Fitzsimmons: Klingon diplomacy | Trav S.D.: “We… the PEOPLE” | Matthew Battles: Brinksmanship on the brink | Annie Nocenti: Captain Smirk | Ian W. Hill: Sisko meets Kirk | Gabby Nicasio: Noninterference policy | Peter Bebergal: Kirk’s countdown | Matt Glaser: Kirk’s ghost | Joe Alterio: Watching Kirk vs. Gorn | Annalee Newitz: How Spock wins

2011: KIRB YOUR ENTHUSIASM (Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing | Adam McGovern on four decades (so far) of Kirby’s “Fourth World” mythos | Jack Kirby: Anti-Fascist Pipe Smoker

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Joe Alterio is an illustrator, animator, comic creator, and artist interested in narrative structure, interactive creativity, and the physical manifestations of story-telling. See more at JoeAlterio.com.