April 15, 2014
Huntingtower was a departure for John Buchan. Published between the third and fourth of his tremendous Richard Hannay novels, the book’s protagonist is not a soldier-turned-spy, but instead a retired Scottish grocer who joins a quixotic effort to rescue a Russian noblewoman from Bolsheviks. Adventure literature exegetes agree that with this novel, Buchan was attempting to take the curse of irony off the word “adventure” — that is, to bring adventure into everyday life.
HiLobrow is pleased to serialize John Buchan’s Huntingtower, which was first published in 1922. A new installment will appear each week for sixteen weeks.
We left Mr. McCunn, full of aches but desperately resolute in spirit, hobbling by the Auchenlochan road into the village of Dalquharter. His goal was Mrs. Morran’s hen-house, which was Thomas Yownie’s poste de commandement. The rain had come on again, and, though in other weather there would have been a slow twilight, already the shadow of night had the world in its grip. The sea even from the high ground was invisible, and all to westward and windward was a ragged screen of dark cloud. It was foul weather for foul deeds.
Thomas Yownie was not in the hen-house, but in Mrs. Morran’s kitchen, and with him were the pug-faced boy known as Old Bill, and the sturdy figure of Peter Paterson. But the floor was held by the hostess. She still wore her big boots, her petticoats were still kilted, and round her venerable head in lieu of a bonnet was drawn a tartan shawl.
“Eh, Dickson, but I’m blithe to see ye. And, puir man, ye’ve been sair mishandled. This is the awfu’est Sabbath day that ever you and me pit in. I hope it’ll be forgiven us…. Whaur’s the young leddy?”
“Dougal was saying she was in the House with Sir Archibald and the men from the Mains.”
“Wae’s me!” Mrs. Morran keened. “And what kind o’ place is yon for her? Thae laddies tell me there’s boatfu’s o’ scoondrels landit at the Garplefit. They’ll try the auld Tower, but they’ll no’ wait there when they find it toom, and they’ll be inside the Hoose in a jiffy and awa’ wi’ the puir lassie. Sirs, it maunna be. Ye’re lippenin’ to the polis, but in a’ my days I never kenned the polis in time. We maun be up and daein’ oorsels. Oh, if I could get a haud o’ that red-heided Dougal….”
As she spoke, there came on the wind the dull reverberation of an explosion.
“Keep us, what’s that?” she cried.
“It’s dinnymite,” said Peter Paterson.
“That’s the end o’ the auld Tower,” observed Thomas Yownie in his quiet even voice. “And it’s likely the end o’ the man Heritage.”
“Lord peety us!” the old woman wailed. “And us standin’ here like stookies and no’ liftin’ a hand. Awa’ wi’ ye, laddies, and dae something. Awa’ you too, Dickson, or I’ll tak’ the road mysel’.”
“I’ve got orders,” said the Chief of Staff, “no’ to move till the sityation’s clear. Napoleon’s up at the Tower and Jaikie in the policies. I maun wait on their reports.”
For a moment Mrs. Morran’s attention was distracted by Dickson, who suddenly felt very faint and sat down heavily on a kitchen chair. “Man, ye’re as white as a dish-clout,” she exclaimed with compunction. “Ye’re fair wore out, and ye’ll have had nae meat sin’ your breakfast. See, and I’ll get ye a cup o’ tea.”
She proved to be in the right, for as soon as Dickson had swallowed some mouthfuls of her strong scalding brew the colour came back to his cheeks, and he announced that he felt better. “Ye’ll fortify it wi’ a dram,” she told him, and produced a black bottle from her cupboard. “My father aye said that guid whiskey and het tea keepit the doctor’s gig oot o’ the close.”
The back door opened and Napoleon entered, his thin shanks blue with cold. He saluted and made his report in a voice shrill with excitement.
“The Tower has fallen. They’ve blown in the big door, and the feck o’ them’s inside.”
“And Mr. Heritage?” was Dickson’s anxious inquiry.
“When I last saw him he was up at a windy, shootin’. I think he’s gotten on to the roof. I wouldna wonder but the place is on fire.”
“Here, this is awful,” Dickson groaned. “We can’t let Mr. Heritage be killed that way. What strength is the enemy?”
“I counted twenty-seven, and there’s stragglers comin’ up from the boats.”
“And there’s me and you five laddies here, and Dougal and the others shut up in the House.” He stopped in sheer despair. It was a fix from which the most enlightened business mind showed no escape. Prudence, inventiveness were no longer in question; only some desperate course of violence.
“We must create a diversion,” he said. “I’m for the Tower, and you laddies must come with me. We’ll maybe see a chance. Oh, but I wish I had my wee pistol.”
“If ye’re gaun there, Dickson, I’m comin’ wi’ ye,” Mrs. Morran announced.
Her words revealed to Dickson the preposterousness of the whole situation, and for all his anxiety he laughed. “Five laddies, a middle-aged man and an auld wife,” he cried. “Dod, it’s pretty hopeless. It’s like the thing in the Bible about the weak things of the world trying to confound the strong.”
“The Bible’s whiles richt,” Mrs. Morran answered drily. “Come on, for there’s no time to lose.”
The door opened again to admit the figure of Wee Jaikie. There were no tears in his eyes, and his face was very white.
“They’re a’ round the Hoose,” he croaked. “I was up a tree forenent the verandy and seen them. The lassie ran oot and cried on them from the top o’ the brae, and they a’ turned and hunted her back. Gosh, but it was a near thing. I seen the Captain sklimmin’ the wall, and a muckle man took the lassie and flung her up the ladder. They got inside just in time and steekit the door, and now the whole pack is roarin’ round the Hoose seekin’ a road in. They’ll no’ be long over the job, neither.”
“What about Mr. Heritage?”
“They’re no’ heedin’ about him any more. The auld Tower’s bleezin’.”
“Worse and worse,” said Dickson. “If the police don’t come in the next ten minutes, they’ll be away with the Princess. They’ve beaten all Dougal’s plans, and it’s a straight fight with odds of six to one. It’s not possible.”
Mrs. Morran for the first time seemed to lose hope. “Eh, the puir lassie!” she wailed, and sinking on a chair covered her face with her shawl.
“Laddies, can you no’ think of a plan?” asked Dickson, his voice flat with despair.
Then Thomas Yownie spoke. So far he had been silent, but under his tangled thatch of hair, his mind had been busy. Jaikie’s report seemed to bring him to a decision.
“It’s gey dark,” he said, “and it’s gettin’ darker.”
There was that in his voice which promised something, and Dickson listened.
“The enemy’s mostly foreigners, but Dobson’s there and I think he’s a kind of guide to them. Dobson’s feared of the polis, and if we can terrify Dobson he’ll terrify the rest.”
“Ay, but where are the police?”
“They’re no’ here yet, but they’re comin’. The fear o’ them is aye in Dobson’s mind. If he thinks the polis has arrived, he’ll put the wind up the lot…. We maun be the polis.”
Dickson could only stare while the Chief of Staff unfolded his scheme. I do not know to whom the Muse of History will give the credit of the tactics of “infiltration” — whether to Ludendorff or von Hutier or some other proud captain of Germany, or to Foch, who revised and perfected them. But I know that the same notion was at this moment of crisis conceived by Thomas Yownie, whom no parents acknowledged, who slept usually in a coal cellar, and who had picked up his education among Gorbals closes and along the wharves of Clyde.
“It’s gettin’ dark,” he said, “and the enemy are that busy tryin’ to break into the Hoose that they’ll no’ be thinkin’ o’ their rear. The five o’ us Die-Hards is grand at dodgin’ and keepin’ out of sight, and what hinders us to get in among them, so that they’ll hear us but never see us? We’re used to the ways o’ the polis, and can imitate them fine. Forbye we’ve all got our whistles, which are the same as a bobbie’s birl, and Old Bill and Peter are grand at copyin’ a man’s voice. Since the Captain is shut up in the Hoose, the command falls to me, and that’s my plan.”
With a piece of chalk he drew on the kitchen floor a rough sketch of the environs of Huntingtower. Peter Paterson was to move from the shrubberies beyond the verandah, Napoleon from the stables, Old Bill from the Tower, while Wee Jaikie and Thomas himself were to advance as if from the Garplefoot, so that the enemy might fear for his communications. “As soon as one o’ ye gets into position he’s to gie the patrol cry, and when each o’ ye has heard five cries, he’s to advance. Begin birlin’ and roarin’ afore ye get among them, and keep it up till ye’re at the Hoose wall. If they’ve gotten inside, in ye go after them. I trust each Die-Hard to use his judgment, and above all to keep out o’ sight and no let himsel’ be grippit.”
The plan, like all great tactics, was simple, and no sooner was it expounded than it was put into action. The Die-Hards faded out of the kitchen like fog-wreaths, and Dickson and Mrs. Morran were left looking at each other. They did not look long. The bare feet of Wee Jaikie had not crossed the threshold fifty seconds, before they were followed by Mrs. Morran’s out-of-doors boots and Dickson’s tackets. Arm in arm the two hobbled down the back path behind the village which led to the South Lodge. The gate was unlocked, for the warder was busy elsewhere, and they hastened up the avenue. Far off Dickson thought he saw shapes fleeting across the park, which he took to be the shock-troops of his own side, and he seemed to hear snatches of song. Jaikie was giving tongue, and this was what he sang:
“Proley Tarians, arise!
Wave the Red Flag to the skies,
Heed nae mair the Fat Man’s lees,
Stap them doun his throat!
Nocht to loss except our chains,
We maun drain oor dearest veins —
A’ the worrld shall be our gains ——”
But he tripped over a rabbit wire and thereafter conserved his breath.
The wind was so loud that no sound reached them from the House, which blank and immense now loomed before them. Dickson’s ears were alert for the noise of shots or the dull crash of bombs; hearing nothing, he feared the worst, and hurried Mrs. Morran at a pace which endangered her life. He had no fear for himself, arguing that his foes were seeking higher game, and judging, too, that the main battle must be round the verandah at the other end. The two passed the shrubbery where the road forked, one path running to the back door and one to the stables. They took the latter and presently came out on the downs, with the ravine of the Garple on their left, the stables in front, and on the right the hollow of a formal garden running along the west side of the House.
The gale was so fierce, now that they had no wind-break between them and the ocean, that Mrs. Morran could wrestle with it no longer, and found shelter in the lee of a clump of rhododendrons. Darkness had all but fallen, and the house was a black shadow against the dusky sky, while a confused greyness marked the sea. The old Tower showed a tooth of masonry; there was no glow from it, so the fire, which Jaikie had reported, must have died down. A whaup cried loudly, and very eerily: then another.
The birds stirred up Mrs. Morran. “That’s the laddies’ patrol,” she gasped. “Count the cries, Dickson.”
Another bird wailed, this time very near. Then there was perhaps three minutes’ silence, till a fainter wheeple came from the direction of the Tower. “Four,” said Dickson, but he waited in vain on the fifth. He had not the acute hearing of the boys, and could not catch the faint echo of Peter Paterson’s signal beyond the verandah. The next he heard was a shrill whistle cutting into the wind, and then others in rapid succession from different quarters, and something which might have been the hoarse shouting of angry men.
The Gorbals Die-Hards had gone into action.
Dull prose is no medium to tell of that wild adventure. The sober sequence of the military historian is out of place in recording deeds that knew not sequence or sobriety. Were I a bard, I would cast this tale in excited verse, with a lilt which would catch the speed of the reality. I would sing of Napoleon, not unworthy of his great namesake, who penetrated to the very window of the ladies’ bedroom, where the framework had been driven in and men were pouring through; of how there he made such pandemonium with his whistle that men tumbled back and ran about blindly seeking for guidance; of how in the long run his pugnacity mastered him, so that he engaged in combat with an unknown figure and the two rolled into what had once been a fountain. I would hymn Peter Paterson, who across tracts of darkness engaged Old Bill in a conversation which would have done no discredit to a Gallogate policeman. He pretended to be making reports and seeking orders. “We’ve gotten three o’ the deevils, sir. What’ll we dae wi’ them?” he shouted; and back would come the reply in a slightly more genteel voice: “Fall them to the rear. Tamson has charge of the prisoners.” Or it would be: “They’ve gotten pistols, sir. What’s the orders?” and the answer would be: “Stick to your batons. The guns are posted on the knowe, so we needn’t hurry.” And over all the din there would be a perpetual whistling and a yelling of “Hands up!”
I would sing, too, of Wee Jaikie, who was having the red-letter hour of his life. His fragile form moved like a lizard in places where no mortal could be expected, and he varied his duties with impish assaults upon the persons of such as came in his way. His whistle blew in a man’s ear one second and the next yards away. Sometimes he was moved to song, and unearthly fragments of “Class-conscious we are” or “Proley Tarians, arise!” mingled with the din, like the cry of seagulls in a storm. He saw a bright light flare up within the house which warned him not to enter, but he got as far as the garden-room, in whose dark corners he made havoc. Indeed he was almost too successful, for he created panic where he went, and one or two fired blindly at the quarter where he had last been heard. These shots were followed by frenzied prohibitions from Spidel and were not repeated. Presently he felt that aimless surge of men that is the prelude to flight, and heard Dobson’s great voice roaring in the hall. Convinced that the crisis had come, he made his way outside, prepared to harass the rear of any retirement. Tears now flowed down his face, and he could not have spoken for sobs, but he had never been so happy.
But chiefly would I celebrate Thomas Yownie, for it was he who brought fear into the heart of Dobson. He had a voice of singular compass, and from the verandah he made it echo round the House. The efforts of Old Bill and Peter Paterson had been skilful indeed, but those of Thomas Yownie were deadly. To some leader beyond he shouted news: “Robison’s just about finished wi’ his lot, and then he’ll get the boats.” A furious charge upset him, and for a moment he thought he had been discovered. But it was only Dobson rushing to Léon, who was leading the men in the doorway. Thomas fled to the far end of the verandah, and again lifted up his voice. “All foreigners,” he shouted, “except the man Dobson. Ay. Ay. Ye’ve got Loudon? Well done!”
It must have been this last performance which broke Dobson’s nerve and convinced him that the one hope lay in a rapid retreat to the Garplefoot. There was a tumbling of men in the doorway, a muttering of strange tongues, and the vision of the innkeeper shouting to Léon and Spidel. For a second he was seen in the faint reflection that the light in the hall cast as far as the verandah, a wild figure urging the retreat with a pistol clapped to the head of those who were too confused by the hurricane of events to grasp the situation. Some of them dropped over the wall, but most huddled like sheep through the door on the west side, a jumble of struggling, panic-stricken mortality. Thomas Yownie, staggered at the success of his tactics, yet kept his head and did his utmost to confuse the retreat, and the triumphant shouts and whistles of the other Die-Hards showed that they were not unmindful of this final duty….
The verandah was empty, and he was just about to enter the House, when through the west door came a figure, breathing hard and bent apparently on the same errand. Thomas prepared for battle, determined that no straggler of the enemy should now wrest from him victory, but, as the figure came into the faint glow at the doorway, he recognised it as Heritage. And at the same moment he heard something which made his tense nerves relax. Away on the right came sounds, a thud of galloping horses on grass and the jingle of bridle reins and the voices of men. It was the real thing at last. It is a sad commentary on his career, but now for the first time in his brief existence Thomas Yownie felt charitably disposed towards the police.
The Poet, since we left him blaspheming on the roof of the Tower, had been having a crowded hour of most inglorious life. He had started to descend at a furious pace, and his first misadventure was that he stumbled and dropped Dickson’s pistol over the parapet. He tried to mark where it might have fallen in the gloom below, and this lost him precious minutes. When he slithered through the trap into the attic room, where he had tried to hold up the attack, he discovered that it was full of smoke which sought in vain to escape by the narrow window. Volumes of it were pouring up the stairs, and when he attempted to descend he found himself choked and blinded. He rushed gasping to the window, filled his lungs with fresh air, and tried again, but he got no further than the first turn, from which he could see through the cloud red tongues of flame in the ground room. This was solemn indeed, so he sought another way out. He got on the roof, for he remembered a chimney-stack, cloaked with ivy, which was built straight from the ground, and he thought he might climb down it.
He found the chimney and began the descent, confidently, for he had once borne a good reputation at the Montanvert and Cortina. At first all went well, for stones stuck out at decent intervals like the rungs of a ladder, and roots of ivy supplemented their deficiencies. But presently he came to a place where the masonry had crumbled into a cave, and left a gap some twenty feet high. Below it he could dimly see a thick mass of ivy which would enable him to cover the further forty feet to the ground, but at that cave he stuck most finally. All round the lime and stone had lapsed into debris, and he could find no safe foothold. Worse still, the block on which he relied proved loose, and only by a dangerous traverse did he avert disaster.
There he hung for a minute or two, with a cold void in his stomach. He had always distrusted the handiwork of man as a place to scramble on, and now he was planted in the dark on a decomposing wall, with an excellent chance of breaking his neck, and with the most urgent need for haste. He could see the windows of the House and, since he was sheltered from the gale, he could hear the faint sound of blows on woodwork. There was clearly the devil to pay there, and yet here he was helplessly stuck…. Setting his teeth, he started to ascend again. Better the fire than this cold breakneck emptiness.
It took him the better part of half an hour to get back, and he passed through many moments of acute fear. Footholds which had seemed secure enough in the descent now proved impossible, and more than once he had his heart in his mouth when a rotten ivy stump or a wedge of stone gave in his hands, and dropped dully into the pit of night, leaving him crazily spread-eagled. When at last he reached the top he rolled on his back and felt very sick. Then, as he realised his safety, his impatience revived. At all costs he would force his way out though he should be grilled like a herring.
The smoke was less thick in the attic, and with his handkerchief wet with the rain and bound across his mouth he made a dash for the ground room. It was as hot as a furnace, for everything inflammable in it seemed to have caught fire, and the lumber glowed in piles of hot ashes. But the floor and walls were stone, and only the blazing jambs of the door stood between him and the outer air. He had burned himself considerably as he stumbled downwards, and the pain drove him to a wild leap through the broken arch, where he miscalculated the distance, charred his shins, and brought down a red-hot fragment of the lintel on his head. But the thing was done, and a minute later he was rolling like a dog in the wet bracken to cool his burns and put out various smouldering patches on his raiment.
Then he started running for the House, but, confused by the darkness, he bore too much to the north, and came out in the side avenue from which he and Dickson had reconnoitred on the first evening. He saw on the right a glow in the verandah which, as we know, was the reflection of the flare in the hall, and he heard a babble of voices. But he heard something more, for away on his left was the sound which Thomas Yownie was soon to hear — the trampling of horses. It was the police at last, and his task was to guide them at once to the critical point of action…. Three minutes later a figure like a scarecrow was admonishing a bewildered sergeant, while his hands plucked feverishly at a horse’s bridle.
It is time to return to Dickson in his clump of rhododendrons. Tragically aware of his impotence he listened to the tumult of the Die-Hards, hopeful when it was loud, despairing when there came a moment’s lull, while Mrs. Morran like a Greek chorus drew loudly upon her store of proverbial philosophy and her memory of Scripture texts. Twice he tried to reconnoitre towards the scene of battle, but only blundered into sunken plots and pits in the Dutch garden. Finally he squatted beside Mrs. Morran, lit his pipe, and took a firm hold on his patience.
It was not tested for long. Presently he was aware that a change had come over the scene — that the Die-Hards’ whistles and shouts were being drowned in another sound, the cries of panicky men. Dobson’s bellow was wafted to him. “Auntie Phemie,” he shouted, “the innkeeper’s getting rattled. Dod, I believe they’re running.” For at that moment twenty paces on his left the van of the retreat crashed through the creepers on the garden’s edge and leaped the wall that separated it from the cliffs of the Garplefoot.
The old woman was on her feet.
“God be thankit, is’t the polis?”
“Maybe. Maybe no’. But they’re running.”
Another bunch of men raced past, and he heard Dobson’s voice.
“I tell you, they’re broke. Listen, it’s horses. Ay, it’s the police, but it was the Die-Hards that did the job…. Here! They mustn’t escape. Have the police had the sense to send men to the Garplefoot?”
Mrs. Morran, a figure like an ancient prophetess, with her tartan shawl lashing in the gale, clutched him by the shoulder.
“Doun to the waterside and stop them. Ye’ll no’ be beat by wee laddies! On wi’ ye and I’ll follow! There’s gaun to be a juidgment on evil-doers this nicht.”
Dickson needed no urging. His heart was hot within him, and the weariness and stiffness had gone from his limbs. He, too, tumbled over the wall, and made for what he thought was the route by which he had originally ascended from the stream. As he ran he made ridiculous efforts to cry like a whaup in the hope of summoning the Die-Hards. One, indeed, he found — Napoleon, who had suffered a grievous pounding in the fountain and had only escaped by an eel-like agility which had aforetime served him in good stead with the law of his native city. Lucky for Dickson was the meeting, for he had forgotten the road and would certainly have broken his neck. Led by the Die-Hard he slid forty feet over screes and boiler-plates, with the gale plucking at him, found a path, lost it, and then tumbled down a raw bank of earth to the flat ground beside the harbour. During all this performance, he has told me, he had no thought of fear, nor any clear notion what he meant to do. He just wanted to be in at the finish of the job.
Through the narrow entrance the gale blew as through a funnel, and the usually placid waters of the harbour were a mass of angry waves. Two boats had been launched and were plunging furiously, and on one of them a lantern dipped and fell. By its light he could see men holding a further boat by the shore. There was no sign of the police; he reflected that probably they had become tangled in the Garple Dean. The third boat was waiting for some one.
Dickson — a new Ajax by the ships — divined who this some one must be and realised his duty. It was the leader, the arch-enemy, the man whose escape must at all costs be stopped. Perhaps he had the Princess with him, thus snatching victory from apparent defeat. In any case he must be tackled, and a fierce anxiety gripped his heart. “Aye finish a job,” he told himself, and peered up into the darkness of the cliffs, wondering just how he should set about it, for except in the last few days he had never engaged in combat with a fellow-creature.
“When he comes, you grip his legs,” he told Napoleon, “and get him down. He’ll have a pistol, and we’re done if he’s on his feet.”
There was a cry from the boats, a shout of guidance, and the light on the water was waved madly. “They must have good eyesight,” thought Dickson, for he could see nothing. And then suddenly he was aware of steps in front of him, and a shape like a man rising out of the void at his left hand.
In the darkness Napoleon missed his tackle, and the full shock came on Dickson. He aimed at what he thought was the enemy’s throat, found only an arm and was shaken off as a mastiff might shake off a toy terrier. He made another clutch, fell, and in falling caught his opponent’s leg so that he brought him down. The man was immensely agile, for he was up in a second and something hot and bright blew into Dickson’s face. The pistol bullet had passed through the collar of his faithful waterproof, slightly singeing his neck. But it served its purpose, for Dickson paused, gasping, to consider where he had been hit, and before he could resume the chase the last boat had pushed off into deep water.
To be shot at from close quarters is always irritating, and the novelty of the experience increased Dickson’s natural wrath. He fumed on the shore like a deerhound when the stag has taken to the sea. So hot was his blood that he would have cheerfully assaulted the whole crew had they been within his reach. Napoleon, who had been incapacitated for speed by having his stomach and bare shanks savagely trampled upon, joined him, and together they watched the bobbing black specks as they crawled out of the estuary into the grey spindrift which marked the harbour mouth.
But as he looked the wrath died out of Dickson’s soul. For he saw that the boats had indeed sailed on a desperate venture, and that a pursuer was on their track more potent than his breathless middle-age. The tide was on the ebb, and the gale was driving the Atlantic breakers shoreward, and in the jaws of the entrance the two waters met in an unearthly turmoil. Above the noise of the wind came the roar of the flooded Garple and the fret of the harbour, and far beyond all the crashing thunder of the conflict at the harbour mouth. Even in the darkness, against the still faintly grey western sky, the spume could be seen rising like waterspouts. But it was the ear rather than the eye which made certain presage of disaster. No boat could face the challenge of that loud portal.
As Dickson struggled against the wind and stared, his heart melted and a great awe fell upon him. He may have wept; it is certain that he prayed. “Poor souls, poor souls!” he repeated. “I doubt the last hour or two has been a poor preparation for eternity.”
The tide next day brought the dead ashore. Among them was a young man, different in dress and appearance from the rest — a young man with a noble head and a finely-cut classic face, which was not marred like the others from pounding among the Garple rocks. His dark hair was washed back from his brow, and the mouth, which had been hard in life, was now relaxed in the strange innocence of death.
Dickson gazed at the body and observed that there was a slight deformation between the shoulders.
“Poor fellow,” he said. “That explains a lot…. As my father used to say, cripples have a right to be cankered.”
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SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable |
Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion
ORIGINAL FICTION: HiLobrow has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Charlie Mitchell’s “A Fantasy Land” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”