Herc Your Enthusiasm (23)
By: Roy Christopher | Categories: Poetry, Read-outs

ice-t-coldestrap

Twenty-third in a series of posts analyzing and celebrating old-school hip hop.

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ICE-T | “THE COLDEST RAP” | 1983

The history of hip hop holds only a handful of personalities like Ice-T. As we all know he currently plays a police detective on Law & Order: SVU without a whiff of irony toward his days being vilified by Law Enforcement nationwide for singing “Cop Killer” with his metal-core band Body Count. Before forming Body Count, Ice-T released several classic hip hop records (e.g., Rhyme Pays, Power, The Iceberg, and O.G. Original Gangster), the first of which was the first record ever to bear a Parental Advisory sticker. And let’s not forget that Jay-Z’s “99 Problems” (2003) were Ice-T’s in 1993.

Prior to being the unsung pioneer of what became “Gangsta Rap” (what he called “Crime Rhyme”), Ice-T was bringing New York to L.A. His early classics sounded like Schoolly D or BDP’s Criminal Minded. The West Coast didn’t have its own recognizable sound yet. No “Gangsta Gangsta,” no O.G., no G-Funk, the sounds of these streets weren’t shaded by palm trees and red and blue bandanas. To do rap meant to sound like New York.

Ice-T’s first single, “The Coldest Rap”/”Cold Wind Madness (a.k.a. The Coldest Rap, Part 2)” consists of a two-part rhyme-fest of boastful wordplay. The single is backed with “Body Rock,” an electro-dance number that puts in extra work trying to explain what hip hop is all about. Past all of the playful posturing and woefully dated structure, one can hear the seeds of Ice-T’s lyrical heyday. His distinctive delivery, his cadence, his occasional turn of phrase, and his gift for innuendo all shine through, hinting at his future success on the mic. “The Coldest Rap” is a player anthem, a party song, a hip hop trope that Ice-T would revisit throughout his recording career. The power production team of Jimmy Jam and Terry Lewis, who were then core members of Morris Day’s band, The Time, as well as close associates of Prince, provided the backbone for the track. They stretch out a bit on Part 2, but Part 1 is all Ice-T’s, though the track originally had female vocals on it. “They stripped the girl’s vocal out,” he told Wax Poetics in 2010, “gave me the instrumental, and I rapped over it that night in the studio.” In spite of the single’s inauspicious origins, Ice-T sounds as authoritative as ever, if not as focused as he would become a few years later. “Those were just some rhymes I had in my head,” he said.

Among Ice-T’s subsequent songs was one for the Breakin’ soundtrack, a movie he also appeared in as a rapper, cementing a link to screen work that would continue to shape his career 30 years on. He remains one of the very few rappers who have stayed relevant on screen after his raps grew stale, and it all started with “The Coldest Rap.”

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2013: HERC YOUR ENTHUSIASM (old-school hip hop tracks): Luc Sante on “Spoonin’ Rap” | Dallas Penn on “Rapper’s Delight” | Werner Von Wallenrod on “Rappin’ Blow” | DJ Frane on “The Incredible Fulk” | Paul Devlin on “The Adventures of Super Rhyme” | Phil Dyess-Nugent on “That’s the Joint” | Adam McGovern on “Freedom” | David Abrams on “Rapture” | Andrew Hultkrans on “The New Rap Language” | Tim Carmody on “Jazzy Sensation (Bronx Version)” | Drew Huge on “Can I Get a Soul Clap” | Oliver Wang on “The Adventures of Grandmaster Flash on the Wheels of Steel” | Douglas Wolk on “Making Cash Money” | Adrienne Crew on “The Message” | Dart Adams on “Pak Jam” | Alex Belth on “Buffalo Gals” | Joshua Glenn on “Ya Mama” | Phil Freeman on “No Sell Out” | Nate Patrin on “Death Mix Live, Pt. 2″ | Brian Berger on “White Lines (Don’t Do It)” | Cosmo Baker on “Here We Go (Live at the Funhouse)” | Colleen Werthmann on “Rockit” | Roy Christopher on “The Coldest Rap” | Dan Reines on “The Dream Team is in the House” | Franklin Bruno on The Lockers.

HIP HOP ON HILOBROW: HERC YOUR ENTHUSIASM series (25 posts about old-school hip hop) | DJ Kool Herc as HiLo Hero | Gil Scott-Heron as HiLo Hero | Slick Rick as HiLo Hero | Darryl “D.M.C.” McDaniels as HiLo Hero | Afrika Bambaataa as HiLo Hero | Biz Markie as HiLo Hero | Eric B as HiLo Hero (forthcoming in November) | U-God as HiLo Hero | Slug as HiLo Hero | Adam Yauch as HiLo Hero | Ghostface Killah as HiLo Hero | DJ Run as HiLo Hero | Flavor Flav as HiLo Hero | Scott La Rock as HiLo Hero | GZA as HiLo Hero | Schoolly D as HiLo Hero | Aesop Rock as HiLo Hero | Notorious B.I.G. as HiLo Hero | Melle Mel as HiLo Hero | Rick Rubin as HiLo Hero | Rakim as HiLo Hero | Ol’ Dirty Bastard as HiLo Hero | Madlib as HiLo Hero | Talib Kweli as HiLo Hero | Danger Mouse as HiLo Hero | Kool Moe Dee as HiLo Hero | Chuck D as HiLo Hero | Dizzee Rascal as HiLo Hero | RZA as HiLo Hero | Cee-Lo Green as HiLo Hero | Best Ever Clean Hip Hop

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2014: KERN YOUR ENTHUSIASM (typefaces): Matthew Battles on ALDINE ITALIC | Adam McGovern on DATA 70 | Sherri Wasserman on TORONTO SUBWAY | Sarah Werner on JOHNSTON’S “HAMLET” | Douglas Wolk on TODD KLONE | Mark Kingwell on GILL SANS | Joe Alterio on AKZIDENZ-GROTESK | Suzanne Fischer on CALIFORNIA BRAILLE | Gary Panter on SHE’S NOT THERE | Deb Chachra on FAUX DEVANAGARI | Peggy Nelson on FUTURA | Tom Nealon on JENSON’S ROMAN | Rob Walker on SAVANNAH SIGN | Tony Leone on TRADE GOTHIC BOLD CONDENSED NO. 20 | Chika Azuma on KUMON WORKSHEET | Chris Spurgeon on ELECTRONIC DISPLAY | Amanda French on DIPLOMA REGULAR | Steve Price on SCREAM QUEEN | Alissa Walker on CHICAGO | Helene Silverman on CHINESE SHIPPING BOX | Tim Spencer on SHATTER | Jessamyn West on COMIC SANS | Whitney Trettien on WILKINS’S REAL CHARACTER | Cintra Wilson on HERMÈS vs. HOTDOG | Jacob Covey on GOTHAM.

2012: KIRK YOUR ENTHUSIASM (Captain Kirk scenes): Dafna Pleban: Justice or vengeance? | Mark Kingwell : Kirk teaches his drill thrall to kiss | Nick Abadzis: “KHAAAAAN!” | Stephen Burt: “No kill I” | Greg Rowland: Kirk browbeats NOMAD | Zack Handlen: Kirk’s eulogy for Spock| Peggy Nelson: The joke is on Kirk | Kevin Church: Kirk vs. Decker | Enrique Ramirez: Good Kirk vs. Evil Kirk | Adam McGovern: Captain Camelot | Flourish Klink: Koon-ut-kal-if-fee | David Smay: Federation exceptionalism | Amanda LaPergola: Wizard fight | Steve Schneider: A million things you can’t have | Joshua Glenn: Debating in a vacuum | Kelly Jean Fitzsimmons: Klingon diplomacy | Trav S.D.: “We… the PEOPLE” | Matthew Battles: Brinksmanship on the brink | Annie Nocenti: Captain Smirk | Ian W. Hill: Sisko meets Kirk | Gabby Nicasio: Noninterference policy | Peter Bebergal: Kirk’s countdown | Matt Glaser: Kirk’s ghost | Joe Alterio: Watching Kirk vs. Gorn | Annalee Newitz: How Spock wins

2011: KIRB YOUR ENTHUSIASM (Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing | Adam McGovern on four decades (so far) of Kirby’s “Fourth World” mythos | Jack Kirby: Anti-Fascist Pipe Smoker

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Roy Christopher marshals the middle between Mathers and McLuhan. He was assistant editor of Paul D. Miller a.k.a. DJ Spooky’s Sound Unbound: Sampling Digital Culture and Music (MIT Press, 2008), and his first book is Follow for Now: Interviews with Friends and Heroes (Well-Red Bear, 2007). He is currently working on a book called The Medium Picture (for Zero Books), and another called Hip-hop Theory. He is also a Visiting Lecturer at The University of Illinois-Chicago. He writes regularly at roychristopher.com.