Twenty-first in a series of posts analyzing and celebrating old-school hip hop.
RUN DMC | “HERE WE GO (LIVE AT THE FUNHOUSE)” | 1983
Let’s get one thing straight before we proceed – I know this record was released as a single in 1985. But “Here We Go (Live At The Funhouse)” was actually recorded in February 1983, and it’s a rare example of a single that’s sourced from a live performance (Run-DMC were keen on using turntable wizardry to create songs, “Beats To The Rhyme” for example.) And yes, I know technically Run-DMC as a group in itself is the actual dividing line between the true “Old School” that was disco-rapping and the “New School” Larry Smith-inspired sound that would usher in rap’s first Golden Age. But this song to me is the ultimate testament of the true essence of the DJ/MC dynamic that is hip-hop. And it’s a perfect peek through the window to see the well-oiled machine that was Run-DMC.
Picture this: You’re packed in the sweatbox that’s The Funhouse, one of Manhattan’s most wild and notorious nightclubs of the era. It’s a cold February night but the condensation of everyone’s breath inside is making the walls sweat, the ceiling drip. DJ Run is on stage and asks the crowd “How y’all feel out there” to which you and the rest of the room hoot and whistle as a reply. DMC says “Ah yeah” and then you hear Jam Master Jay start to scratch a powerful kick and snare as he spins the record back and forth, getting ready for launch. After a few more words THE BAND rushes forth into a brand new routine, two turntables and two microphones, powered by the BIG BEAT that is Billy Squier’s “The Big Beat.” On time, locked in tandem, as one, three artists delivering a performance like they’ve done it countless times before.
And then everything gets fucked up.
You didn’t hear it. Nobody did at first, it was only just a split second that nobody would have even picked up on. But it was there, at 1 minute and 10 seconds into the performance. Jay’s hand slipped. Or perhaps the sweat from the room got on the record and made it hard to cue. Or maybe he just wasn’t fast enough (doubtful). Whatever the reason, he missed his cue on the doubles routine. He didn’t bring “Big Beat” back fast enough. It came off beat. Part of Billy Squier’s “Iiiii” seeped through. It could have thrown the entire routine off.
But it didn’t. Jay caught it and went back on beat. I picture Run and D looking at each other and at Jay, aware of the mistake, and they bennnnnnd their words and allow everything to snap back into place as Jay rushes the one turntable back into position. The danger was real, the cataclysm was right there, and it was avoided. And they rocked their way into history.
I believe that one finds perfection in the cracks, in the imperfections. That one moment defines this song to me. A perfect hip-hop song, defined by a flaw. Now picture that.
ALL POSTS IN THIS SERIES: LUC SANTE on Spoonie Gee’s “Spoonin’ Rap” (1979) | DALLAS PENN on Sugar Hill Gang’s “Rapper’s Delight” (1979) | WERNER VON WALLENROD on Kurtis Blow’s “Rappin’ Blow” (1979) | DJ FRANE on Blowfly’s “The Incredible Fulk” (1980) | PAUL DEVLIN on Jimmy Spicer’s “The Adventures of Super Rhyme” (1980) | PHIL DYESS-NUGENT on Funky 4 + 1′s “That’s the Joint” (1980) | ADAM McGOVERN on Grandmaster Flash & The Furious 5′s “Freedom” (1980) | DAVID ABRAMS on Blondie’s “Rapture” (1980) | ANDREW HULTKRANS on Treacherous Three & Spoonie Gee’s “The New Rap Language” (1980) | TIM CARMODY on Afrika Bambaataa & The Jazzy 5′s “Jazzy Sensation (Bronx Version)” (1981) | DREW HUGE on Grand Wizard Theodore & The Fantastic Five’s “Can I Get a Soul Clap” (1981) | OLIVER WANG on Grandmaster Flash’s “The Adventures of Grandmaster Flash on the Wheels of Steel” | DOUGLAS WOLK on Busy Bee’s “Making Cash Money” (1982) | ADRIENNE CREW on Grandmaster Flash & The Furious 5 (featuring Melle Mel and Duke Bootee)’s “The Message” (1982) | DART ADAMS on The Jonzun Crew’s “Pak Jam” (1982) | ALEX BELTH on Malcolm McLaren & The World’s Famous Supreme Team’s “Buffalo Gals” (1982) | JOSHUA GLENN on Wuf Ticket’s “Ya Mama” (1982) | PHIL FREEMAN on Malcolm X with Keith LeBlanc’s “No Sell Out” (1983) | NATE PATRIN on Afrika Bambaataa’s “Death Mix Live, Pt. 2″ (1980/1983) | BRIAN BERGER on Grandmaster & Melle Mel’s “White Lines (Don’t Do It)” (1983) | COSMO BAKER on Run DMC’s “Here We Go (Live at the Funhouse)” (1983/1985) | COLLEEN WERTHMANN on Herbie Hancock’s “Rockit” (1983) | ROY CHRISTOPHER on Ice-T’s “The Coldest Rap” (1983) | DAN REINES on L.A. Dream Team’s “The Dream Team is in the House” (1985) | FRANKLIN BRUNO on hip hop’s dance crew The Lockers.
HIP HOP ON HILOBROW: HERC YOUR ENTHUSIASM series (25 posts about old-school hip hop) | DJ Kool Herc as HiLo Hero | Gil Scott-Heron as HiLo Hero | Slick Rick as HiLo Hero | Darryl “D.M.C.” McDaniels as HiLo Hero | Afrika Bambaataa as HiLo Hero | Biz Markie as HiLo Hero | Eric B as HiLo Hero (forthcoming in November) | U-God as HiLo Hero | Slug as HiLo Hero | Adam Yauch as HiLo Hero | Ghostface Killah as HiLo Hero | DJ Run as HiLo Hero | Flavor Flav as HiLo Hero | Scott La Rock as HiLo Hero | GZA as HiLo Hero | Schoolly D as HiLo Hero | Aesop Rock as HiLo Hero | Notorious B.I.G. as HiLo Hero | Melle Mel as HiLo Hero | Rick Rubin as HiLo Hero | Rakim as HiLo Hero | Ol’ Dirty Bastard as HiLo Hero | Madlib as HiLo Hero | Talib Kweli as HiLo Hero | Danger Mouse as HiLo Hero | Kool Moe Dee as HiLo Hero | Chuck D as HiLo Hero | Dizzee Rascal as HiLo Hero | RZA as HiLo Hero | Cee-Lo Green as HiLo Hero | Best Ever Clean Hip Hop
KIRB YOUR ENTHUSIASM (2011 series on Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Danny Fingeroth figgers out The Thing |
KIRK YOUR ENTHUSIASM (2012 series on Captain Kirk scenes): Justice or vengeance? by DAFNA PLEBAN | Kirk teaches his drill thrall to kiss by MARK KINGWELL | “KHAAAAAN!” by NICK ABADZIS | “No kill I” by STEPHEN BURT | Kirk browbeats NOMAD by GREG ROWLAND | Kirk’s eulogy for Spock by ZACK HANDLEN | The joke is on Kirk by PEGGY NELSON | Kirk vs. Decker by KEVIN CHURCH | Good Kirk vs. Evil Kirk by ENRIQUE RAMIREZ | Captain Camelot by ADAM MCGOVERN | Koon-ut-kal-if-fee by FLOURISH KLINK | Federation exceptionalism by DAVID SMAY | Wizard fight by AMANDA LAPERGOLA | A million things you can’t have by STEVE SCHNEIDER | Debating in a vacuum by JOSHUA GLENN | Klingon diplomacy by KELLY JEAN FITZSIMMONS | “We… the PEOPLE” by TRAV S.D. | Brinksmanship on the brink by MATTHEW BATTLES | Captain Smirk by ANNIE NOCENTI | Sisko meets Kirk by IAN W. HILL | Noninterference policy by GABBY NICASIO | Kirk’s countdown by PETER BEBERGAL | Kirk’s ghost by MATT GLASER | Watching Kirk vs. Gorn by JOE ALTERIO | How Spock wins by ANNALEE NEWITZ