Herc Your Enthusiasm (21)

By: Cosmo Baker
August 26, 2013

run dmc

Twenty-first in a series of posts analyzing and celebrating old-school hip hop.

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RUN DMC | “HERE WE GO (LIVE AT THE FUNHOUSE)” | 1983

Let’s get one thing straight before we proceed – I know this record was released as a single in 1985. But “Here We Go (Live At The Funhouse)” was actually recorded in February 1983, and it’s a rare example of a single that’s sourced from a live performance (Run-DMC were keen on using turntable wizardry to create songs, “Beats To The Rhyme” for example.) And yes, I know technically Run-DMC as a group in itself is the actual dividing line between the true “Old School” that was disco-rapping and the “New School” Larry Smith-inspired sound that would usher in rap’s first Golden Age. But this song to me is the ultimate testament of the true essence of the DJ/MC dynamic that is hip-hop. And it’s a perfect peek through the window to see the well-oiled machine that was Run-DMC.

Picture this: You’re packed in the sweatbox that’s The Funhouse, one of Manhattan’s most wild and notorious nightclubs of the era. It’s a cold February night but the condensation of everyone’s breath inside is making the walls sweat, the ceiling drip. DJ Run is on stage and asks the crowd “How y’all feel out there” to which you and the rest of the room hoot and whistle as a reply. DMC says “Ah yeah” and then you hear Jam Master Jay start to scratch a powerful kick and snare as he spins the record back and forth, getting ready for launch. After a few more words THE BAND rushes forth into a brand new routine, two turntables and two microphones, powered by the BIG BEAT that is Billy Squier’s “The Big Beat.” On time, locked in tandem, as one, three artists delivering a performance like they’ve done it countless times before.

And then everything gets fucked up.

You didn’t hear it. Nobody did at first, it was only just a split second that nobody would have even picked up on. But it was there, at 1 minute and 10 seconds into the performance. Jay’s hand slipped. Or perhaps the sweat from the room got on the record and made it hard to cue. Or maybe he just wasn’t fast enough (doubtful). Whatever the reason, he missed his cue on the doubles routine. He didn’t bring “Big Beat” back fast enough. It came off beat. Part of Billy Squier’s “Iiiii” seeped through. It could have thrown the entire routine off.

But it didn’t. Jay caught it and went back on beat. I picture Run and D looking at each other and at Jay, aware of the mistake, and they bennnnnnd their words and allow everything to snap back into place as Jay rushes the one turntable back into position. The danger was real, the cataclysm was right there, and it was avoided. And they rocked their way into history.

I believe that one finds perfection in the cracks, in the imperfections. That one moment defines this song to me. A perfect hip-hop song, defined by a flaw. Now picture that.

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2013: HERC YOUR ENTHUSIASM (old-school hip hop tracks): Luc Sante on “Spoonin’ Rap” | Dallas Penn on “Rapper’s Delight” | Werner Von Wallenrod on “Rappin’ Blow” | DJ Frane on “The Incredible Fulk” | Paul Devlin on “The Adventures of Super Rhyme” | Phil Dyess-Nugent on “That’s the Joint” | Adam McGovern on “Freedom” | David Abrams on “Rapture” | Andrew Hultkrans on “The New Rap Language” | Tim Carmody on “Jazzy Sensation (Bronx Version)” | Drew Huge on “Can I Get a Soul Clap” | Oliver Wang on “The Adventures of Grandmaster Flash on the Wheels of Steel” | Douglas Wolk on “Making Cash Money” | Adrienne Crew on “The Message” | Dart Adams on “Pak Jam” | Alex Belth on “Buffalo Gals” | Joshua Glenn on “Ya Mama” | Phil Freeman on “No Sell Out” | Nate Patrin on “Death Mix Live, Pt. 2” | Brian Berger on “White Lines (Don’t Do It)” | Cosmo Baker on “Here We Go (Live at the Funhouse)” | Colleen Werthmann on “Rockit” | Roy Christopher on “The Coldest Rap” | Dan Reines on “The Dream Team is in the House” | Franklin Bruno on The Lockers.

HIP HOP ON HILOBROW: HERC YOUR ENTHUSIASM series (25 posts about old-school hip hop) | DJ Kool Herc | Gil Scott-Heron | Slick Rick | Darryl “D.M.C.” McDaniels | Afrika Bambaataa | Biz Markie | U-God | Slug | Adam Yauch | Ghostface Killah | DJ Run | Flavor Flav | Scott La Rock | GZA | Schoolly D | Aesop Rock | Terminator X | Notorious B.I.G. | Melle Mel | Doug E. Fresh | Kool Keith | Rick Rubin | Rakim | Ol’ Dirty Bastard | Madlib | Talib Kweli | Danger Mouse | Kool Moe Dee | Chuck D | Dizzee Rascal | RZA | Cee-Lo Green | Best Ever Clean Hip Hop

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2014: KERN YOUR ENTHUSIASM (typefaces): Matthew Battles on ALDINE ITALIC | Adam McGovern on DATA 70 | Sherri Wasserman on TORONTO SUBWAY | Sarah Werner on JOHNSTON’S “HAMLET” | Douglas Wolk on TODD KLONE | Mark Kingwell on GILL SANS | Joe Alterio on AKZIDENZ-GROTESK | Suzanne Fischer on CALIFORNIA BRAILLE | Gary Panter on SHE’S NOT THERE | Deb Chachra on FAUX DEVANAGARI | Peggy Nelson on FUTURA | Tom Nealon on JENSON’S ROMAN | Rob Walker on SAVANNAH SIGN | Tony Leone on TRADE GOTHIC BOLD CONDENSED NO. 20 | Chika Azuma on KUMON WORKSHEET | Chris Spurgeon on ELECTRONIC DISPLAY | Amanda French on DIPLOMA REGULAR | Steve Price on SCREAM QUEEN | Alissa Walker on CHICAGO | Helene Silverman on CHINESE SHIPPING BOX | Tim Spencer on SHATTER | Jessamyn West on COMIC SANS | Whitney Trettien on WILKINS’S REAL CHARACTER | Cintra Wilson on HERMÈS vs. HOTDOG | Jacob Covey on GOTHAM.

2012: KIRK YOUR ENTHUSIASM (Captain Kirk scenes): Dafna Pleban: Justice or vengeance? | Mark Kingwell : Kirk teaches his drill thrall to kiss | Nick Abadzis: “KHAAAAAN!” | Stephen Burt: “No kill I” | Greg Rowland: Kirk browbeats NOMAD | Zack Handlen: Kirk’s eulogy for Spock| Peggy Nelson: The joke is on Kirk | Kevin Church: Kirk vs. Decker | Enrique Ramirez: Good Kirk vs. Evil Kirk | Adam McGovern: Captain Camelot | Flourish Klink: Koon-ut-kal-if-fee | David Smay: Federation exceptionalism | Amanda LaPergola: Wizard fight | Steve Schneider: A million things you can’t have | Joshua Glenn: Debating in a vacuum | Kelly Jean Fitzsimmons: Klingon diplomacy | Trav S.D.: “We… the PEOPLE” | Matthew Battles: Brinksmanship on the brink | Annie Nocenti: Captain Smirk | Ian W. Hill: Sisko meets Kirk | Gabby Nicasio: Noninterference policy | Peter Bebergal: Kirk’s countdown | Matt Glaser: Kirk’s ghost | Joe Alterio: Watching Kirk vs. Gorn | Annalee Newitz: How Spock wins

2011: KIRB YOUR ENTHUSIASM (Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing | Adam McGovern on four decades (so far) of Kirby’s “Fourth World” mythos | Jack Kirby: Anti-Fascist Pipe Smoker

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