Herc Your Enthusiasm (1)
By: Luc Sante | Categories: Poetry, Popular, Read-outs

spoonin rap

First in a series of posts analyzing and celebrating old-school hip hop.



Spoonie Gee’s “Spoonin’ Rap,” released in 1979, was the first solo rap recording. Its release was strictly local at first, but it was epochal. The label of the 12-inch single (Sound of New York, USA QC708A) has the plain look of early rap records, about midway between the crude rubber-stamp graphics of Jamaican releases and the slickness of disco 45s. Under the umbrella of its title, which applies to both sides, it has subtitles: “A Drive Down the Street”; “I Was Spanking and Freaking” (A side); “I Don’t Drink Smoke or Gamble Neither”; “I’m the Cold Crushing Lover” (B side). Half are episodes and half are claims, set out like signposts, like undercards on a boxing poster, like chapter titles in a Henry Fielding novel.

Its musical underpinning is the “Patty Duke” groove by Cloud One, a studio outfit headed by Peter Brown, who like the Jamaicans squeezed the most from a track, releasing “Patty Duke” as an instrumental as well as backing two other raps: Scoopy’s “Scoopie Rap” and Family’s “Family Rap.” (Note that this one was supposed to be “Spoonie Rap”; the misprint entered history.) Once the synthesizer accents are excised for talkover purposes, what is left is a sinuous bassline and a chattering, cymbal-driven drum loop. It is a walking rhythm, loose-jointed and relaxed, which opens itself up to receive and transmit what the talker has to say — with echo if necessary. In Spoonie’s case, that’s plenty.

His acknowledged coinages — “Yes yes ya’all”; “One for the money, two for the time” — immediately wove themselves into actual street talk, not to mention numerous other records; they entered the bloodstream. But since it was one of the very first hiphop records, who could tell even then which tags were his and which just floated in unmoored from the great hiphop folk-lyric river? “From the north, the south, from east or west” is totally schoolyard, but who made up “Like a lime to a lemon and a lemon to a lime”?

Gabriel Jackson’s name is Spoonie Gee and he wants to be known as “the metropolitician of the microphone.” He’s a man’s threat and a woman’s pet, “known as the mamselle’s joy” (which sounds as if it came from “Auprès de ma blonde”). He’s a smooth talker and a midnight stalker, and “the image of a man they call the J. D. Walker” (which comes from J.D.’s Revenge, directed by Arthur Marx, 1976). He permits himself to rhyme “He pulled out his gun, but did not shoot” with “Come on everybody, let’s Patty Duke.”

He goes on and on and on and on with his fronting, but no wonder: Spoonie is claiming territory, like the pioneer that he is, asserting his moral right to make an effigy of himself out of words that will occupy the space it occupies. He is Adam, putting on the primal naming ritual of hiphop. Henceforth everybody who passes by on Rhyme Street will have to pay tribute. He carved the first catchphrases out of raw vinyl.


ALL POSTS IN THIS SERIES: LUC SANTE on Spoonie Gee’s “Spoonin’ Rap” (1979) | DALLAS PENN on Sugar Hill Gang’s “Rapper’s Delight” (1979) | WERNER VON WALLENROD on Kurtis Blow’s “Rappin’ Blow” (1979) | DJ FRANE on Blowfly’s “The Incredible Fulk” (1980) | PAUL DEVLIN on Jimmy Spicer’s “The Adventures of Super Rhyme” (1980) | PHIL DYESS-NUGENT on Funky 4 + 1′s “That’s the Joint” (1980) | ADAM McGOVERN on The Furious 5′s “Freedom” (1980) | DAVID ABRAMS on Blondie’s “Rapture” (1980) | ANDREW HULTKRANS on Treacherous Three & Spoonie Gee’s “The New Rap Language” (1980) | TIM CARMODY on Afrika Bambaataa & The Jazzy 5′s “Jazzy Sensation (Bronx Version)” (1981) | DREW HUGE on Grand Wizard Theodore & The Fantastic Five’s “Can I Get a Soul Clap” (1981) | OLIVER WANG on Grandmaster Flash’s “The Adventures of Grandmaster Flash on the Wheels of Steel” (1981) | DOUGLAS WOLK on Busy Bee’s “Making Cash Money” (1982) | ADRIENNE CREW on Grandmaster Flash & The Furious 5 (featuring Melle Mel and Duke Bootee)’s “The Message” (1982) | DART ADAMS on The Jonzun Crew’s “Pak Jam” (1982) | ALEX BELTH on Malcolm McLaren & The World’s Famous Supreme Team’s “Buffalo Gals” (1982) | JOSHUA GLENN on Wuf Ticket’s “Ya Mama” (1982) | PHIL FREEMAN on Malcolm X with Keith LeBlanc’s “No Sell Out” (1983) | NATE PATRIN on Afrika Bambaataa’s “Death Mix Live, Pt. 2″ (1980/1983) | BRIAN BERGER on Grandmaster & Melle Mel’s “White Lines (Don’t Do It)” (1983) | COSMO BAKER on Run DMC’s “Here We Go (Live at the Funhouse)” (1983/1985) | COLLEEN WERTHMANN on Herbie Hancock’s “Rockit” (1983) | ROY CHRISTOPHER on Ice-T’s “The Coldest Rap” (1983) | DAN REINES on L.A. Dream Team’s “The Dream Team is in the House” (1985) | FRANKLIN BRUNO on hip hop’s dance crew The Lockers.

HIP HOP ON HILOBROW: HERC YOUR ENTHUSIASM series (25 posts about old-school hip hop) | DJ Kool Herc as HiLo Hero | Gil Scott-Heron as HiLo Hero | Slick Rick as HiLo Hero | Darryl “D.M.C.” McDaniels as HiLo Hero | Afrika Bambaataa as HiLo Hero | Biz Markie as HiLo Hero | Eric B as HiLo Hero (forthcoming in November) | U-God as HiLo Hero | Slug as HiLo Hero | Adam Yauch as HiLo Hero | Ghostface Killah as HiLo Hero | DJ Run as HiLo Hero | Flavor Flav as HiLo Hero | Scott La Rock as HiLo Hero | GZA as HiLo Hero | Schoolly D as HiLo Hero | Aesop Rock as HiLo Hero | Notorious B.I.G. as HiLo Hero | Melle Mel as HiLo Hero | Rick Rubin as HiLo Hero | Rakim as HiLo Hero | Ol’ Dirty Bastard as HiLo Hero | Madlib as HiLo Hero | Talib Kweli as HiLo Hero | Danger Mouse as HiLo Hero | Kool Moe Dee as HiLo Hero | Chuck D as HiLo Hero | Dizzee Rascal as HiLo Hero | RZA as HiLo Hero | Cee-Lo Green as HiLo Hero | Best Ever Clean Hip Hop


KIRB YOUR ENTHUSIASM (series on Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing |

KIRK YOUR ENTHUSIASM (2012 series on Captain Kirk scenes): Justice or vengeance? by DAFNA PLEBAN | Kirk teaches his drill thrall to kiss by MARK KINGWELL | “KHAAAAAN!” by NICK ABADZIS | “No kill I” by STEPHEN BURT | Kirk browbeats NOMAD by GREG ROWLAND | Kirk’s eulogy for Spock by ZACK HANDLEN | The joke is on Kirk by PEGGY NELSON | Kirk vs. Decker by KEVIN CHURCH | Good Kirk vs. Evil Kirk by ENRIQUE RAMIREZ | Captain Camelot by ADAM MCGOVERN | Koon-ut-kal-if-fee by FLOURISH KLINK | Federation exceptionalism by DAVID SMAY | Wizard fight by AMANDA LAPERGOLA | A million things you can’t have by STEVE SCHNEIDER | Debating in a vacuum by JOSHUA GLENN | Klingon diplomacy by KELLY JEAN FITZSIMMONS | “We… the PEOPLE” by TRAV S.D. | Brinksmanship on the brink by MATTHEW BATTLES | Captain Smirk by ANNIE NOCENTI | Sisko meets Kirk by IAN W. HILL | Noninterference policy by GABBY NICASIO | Kirk’s countdown by PETER BEBERGAL | Kirk’s ghost by MATT GLASER | Watching Kirk vs. Gorn by JOE ALTERIO | How Spock wins by ANNALEE NEWITZ



Luc Sante's books include Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, and Folk Photography.