David Lindsay
By: Joshua Glenn | Categories: HiLo Heroes, Radium Age SF

bob_pepper_a_voyage_to_arcturus

In 1920, the Anglo-Scot ex-insurance man DAVID LINDSAY (1876–1945) completed an existential science fiction novel, A Voyage to Arcturus. In it, two men — the giant Maskull and the thin, intense Nightspore — are taken from Earth to the planet Tormance by Krag, a mysterious figure who is a residue of the true godhead, Muspel, unassimilated by the false creations of Tormance’s demiurge, Crystalman. Reality is fluid, on this planet; in fact, it transpires that the very notion of an absolute reality is merely a comforting illusion. Each chapter introduces a new moral order, persuades us to believe in it — then mocks us for doing so. This bewildering book, which was inspired by Nietzsche and Schopenhauer, sold a mere 596 copies. Lindsay’s subsequent books — including the ghost story The Haunted Woman, the swashbuckler M. de Mailly, and Devil’s Tor — were also flops. Just before WWII, Lindsay gave up writing and opened a boarding house in Brighton; the Germans dropped a bomb on it. Just before Lindsay died, his fortunes began to change: C.S. Lewis declared that Lindsay was the “real father” of his “Perelandra” sci-fi trilogy: “He is the first writer to discover what ‘other planets’ are really good for in fiction… To construct plausible and moving ‘other worlds’ you must draw on the only real ‘other world’ we know, that of the spirit.” J.R.R. Tolkien agreed. In 1946, Victor Gollancz reissued Arcturus; in 1968, Ballantine reissued is as a mass market paperback (with a Bob Pepper cover); and in 1979, critic Harold Bloom published his first and only novel: a sequel to Arcturus. Since then, Lindsay — a true original, who name deserves to be widely known — has returned to obscurity.

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On his or her birthday, HiLobrow irregularly pays tribute to one of our high-, low-, no-, or hilobrow heroes. Also born this date: Edward Thomas and Robyn Hitchcock.

READ MORE about members of the Psychonaut Generation (1874–83).

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Joshua Glenn is a Boston-based writer, publisher, and cultural semiologist-for-hire. He is coauthor and/or co-editor of TAKING THINGS SERIOUSLY, THE IDLER'S GLOSSARY, THE WAGE SLAVE'S GLOSSARY, and — in 2012 — the object-oriented story collection SIGNIFICANT OBJECTS, and the kids' field guide to life UNBORED. He is editor of HILOBROW and publisher of the science fiction imprint HILOBOOKS; and he is co-founder of SEMIONAUT and the SIGNIFICANT OBJECTS experiment. In the '00s, Glenn was an editor, columnist, and blogger (BRAINIAC) for the Boston Globe's IDEAS section, and he was new media producer for the paper's LIVING/ARTS section. In the '90s, he published the seminal high-lowbrow zine/journal HERMENAUT; was an editor at UTNE READER; and was co-producer of the pioneering DIY how-to website and social network TRIPOD. Glenn produced and co-designed the iPhone app KER-PUNCH. He manages a secretive online community known as THE HERMENAUTIC CIRCLE. He does business as KING MIXER, LLC.