Shocking Blocking (43)
By: Joshua Glenn | Categories: Browbeating, Spectacles

Written and directed — in five days — at the apex of the Fifties (1954–63), Roger Corman’s loopy, poorly lit, but inspired A Bucket of Blood satirizes two of the era’s key low-middlebrow cultural developments: beatnik culture and schlock horror. I describe these otherwise dissimilar phenomena as “low-middlebrow” because both smooth the edges off the uncanny and the alienating: schlock horror gives us lowbrow folktales without the hysteria, while beatnik gives us anti-highbrow Beat-ness without the exaltation. (Fans of Twilight or David Eggers, pay attention.) Not that I’m suggesting that Corman’s nobrow comedy-horror movie seeks to provide us with hysteria and exaltation. Far from it! Instead, via propaganda-film-esque blocking like that shown here, from a scene in which busboy-turned-murderous wunderkind sculptor Walter Paisley (Dick Miller) is anointed king of the scene, Corman reminds us (for the first time, though hardly the last) how pathetic it is that we’ve allowed ourselves to be persuaded to settle for anything less.

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An occasional series analyzing some of the author’s favorite moments in the positioning or movement of actors in a movie.

THIRTIES (1934–43): It Happened One Night (1934) | The Man Who Knew Too Much (1934) | The Guv’nor (1935) | The 39 Steps (1935) | Young and Innocent (1937) | The Lady Vanishes (1938) | Mr. Smith Goes to Washington (1939) | The Big Sleep (1939) | The Little Princess (1939) | Gone With the Wind (1939) | His Girl Friday (1940)
FORTIES (1944–53): The Diary of a Chambermaid (1946) | The Asphalt Jungle (1950) | The African Queen (1951)
FIFTIES (1954–63): A Bucket of Blood (1959) | Beach Party (1963)
SIXTIES (1964–73): For Those Who Think Young (1964) | Thunderball (1965) | Clambake (1967) | Bonnie and Clyde (1967) | Madigan (1968) | Wild in the Streets (1968) | Barbarella (1968) | Harold and Maude (1971) | The Mack (1973) | The Long Goodbye (1973)
SEVENTIES (1974–83): Les Valseuses (1974) | Eraserhead (1976) | The Bad News Bears (1976) | Breaking Away (1979) | Rock’n’Roll High School (1979) | Escape from Alcatraz (1979) | Apocalypse Now (1979) | Caddyshack (1980) | Stripes (1981) | Blade Runner (1982) | Tender Mercies (1983) | Monty Python’s The Meaning of Life (1983)
EIGHTIES (1984–93): Repo Man (1984) | Buckaroo Banzai (1984) | Raising Arizona (1987) | RoboCop (1987) | Goodfellas (1990) | Candyman (1992) | Dazed and Confused (1993) |
NINETIES (1994–2003): Pulp Fiction (1994) | The Fifth Element (1997)
OUGHTS (2004–13): Nacho Libre (2006) | District 9 (2009)

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READ MORE essays by Joshua Glenn, originally published in: THE BAFFLER | BOSTON GLOBE IDEAS | BRAINIAC | CABINET | FEED | HERMENAUT | HILOBROW | HILOBROW: GENERATIONS | HILOBROW: RADIUM AGE SCIENCE FICTION | HILOBROW: SHOCKING BLOCKING | THE IDLER | IO9 | N+1 | NEW YORK TIMES BOOK REVIEW | SEMIONAUT | SLATE

Joshua Glenn’s books include UNBORED: THE ESSENTIAL FIELD GUIDE TO SERIOUS FUN (with Elizabeth Foy Larsen); and SIGNIFICANT OBJECTS: 100 EXTRAORDINARY STORIES ABOUT ORDINARY THINGS (with Rob Walker).

MORE HORROR ON HILOBROW: Early ’60s Horror, a series by David Smay | Phone Horror, a series by Devin McKinney | Philip Stone’s Hat-Trick | Shocking Blocking: Candyman | Shocking Blocking: A Bucket of Blood | Kenneth Anger | Sax Rohmer | August Derleth | Edgar Ulmer | Vincent Price | Max von Sydow | Lon Chaney Sr. | James Whale | Wes Craven | Roman Polanski | Ed Wood | John Carpenter | George A. Romero | David Cronenberg | Roger Corman | Georges Franju | Shirley Jackson | Edgar Allan Poe | Algernon Blackwood | H.P. Lovecraft | Clark Ashton Smith | Gaston Leroux |

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Joshua Glenn is an author, publisher, and semiotic analyst. He is co-author (with Mark Kingwell and the cartoonist Seth) of THE IDLER'S GLOSSARY and THE WAGE SLAVE'S GLOSSARY, co-editor of the object-oriented story collections TAKING THINGS SERIOUSLY and (with Rob Walker) SIGNIFICANT OBJECTS, and co-author (with Elizabeth Foy Larsen) of the family activities guide UNBORED and three forthcoming spinoffs, including UNBORED Games. He is editor of HILOBROW and publisher of the Radium Age science fiction imprint HiLoBooks. Also: Glenn manages a secretive online community known as the Hermenautic Circle; he is founding editor of the e-book club Save the Adventure; and he's a frequent co-host of Boing Boing's podcast GWEEK. In the ’00s, Glenn was an editor, columnist, and blogger for the Boston Globe's IDEAS section, he co-founded the international semiotics website SEMIONAUT, and contributed to CABINET, SLATE, and elsewhere. In the ’90s, he published the high-lowbrow zine/journal HERMENAUT, worked as a dotcom and magazine editor, and contributed to THE BAFFLER, FEED, and elsewhere. His publishing company is King Mixer, LLC; and his semiotic analysis consultancy is Semiovox LLC. He lives in Boston with his wife and children.