Kirk Your Enthusiasm (11)
By: Flourish Klink | Categories: Popular, Read-outs

Eleventh in a series of posts, each one analyzing a single Captain Kirk scene from the Star Trek canon.

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Koon-ut-kal-if-fee | “Amok Time” | Star Trek: The Original Series | Season 2, Episode 1 | September 1967

“Amok Time” is the canonical TOS episode of great slashiness, the place where a million fanfics about Spock’s green-spined penis were born — but “Amok Time” isn’t really about Spock (that’s “Journey to Babel”). It’s about Kirk, especially the wedding-slash-fight scene at the end.

Well — not at first. Kirk is remarkably passive when he first gets to Vulcan. Following the Prime Directive? No. Kirk’s not an anthropologist (xenologist?), he’s an adventurer, and he’s not so dedicated to the rules that he wouldn’t break them if he were given a reason. He’s pleased to meet famous T’Pau, impressed by her, but — like an American meeting a foreign head of state — maybe not impressed enough. He’s not quite ready to try and mack on T’Pring, not just because she’s his buddy’s sort-of wife, but also because she’s not in the category of real person to him. She’s part of the show. Come to Vulcan, see a koon-ut-kal-if-fee!

You can see from the line of Kirk’s spine the moment he changes from spectator to actor. It’s when he becomes implicated in what’s going on, when he has to face the fact that whether he wants to or not, he’s taking part in Spock’s culture’s weird traditions. Suddenly he’s scared and defensive, even though he doesn’t yet know that his fight will be to the death. (“That’s T’Pau of Vulcan — all of Vulcan in one package. How can I back out in front of her?”) He knows that Spock has chosen to identify with his Vulcan heritage, knows further that Spock’s own biology is forcing him to do it. How can he betray his friend by refusing to take part? But how can he take part successfully without knowing the culture — or what to do? And how can he agree to take part in a fight which seems ridiculous or even morally reprehensible under his own system of values?

Kirk acquits himself well enough in the end — when he finally fights Spock, he flops and flails and makes sure that his nipples are bled across with maximum artistry. You can almost see the hamster wheel in his head turning — if I act like I’m getting really beaten up, will this stop? He manages to cue Bones to use a neuroparalyzer to get him out of his impossible dilemma and snap Spock back to Federation-approved reality.

It’s kind of miraculous. But it doesn’t actually make Kirk learn anything. The brief flash of fear we see in him when he’s forced to confront a truly foreign culture with foreign values is just that: a brief flash. He’s an adventurer, not an anthropologist, and he’s on to the next planet with his little posse of fellow humans, with Mr. Spock in tow.

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2012: KIRK YOUR ENTHUSIASM (Captain Kirk scenes): Dafna Pleban: Justice or vengeance? | Mark Kingwell : Kirk teaches his drill thrall to kiss | Nick Abadzis: “KHAAAAAN!” | Stephen Burt: “No kill I” | Greg Rowland: Kirk browbeats NOMAD | Zack Handlen: Kirk’s eulogy for Spock| Peggy Nelson: The joke is on Kirk | Kevin Church: Kirk vs. Decker | Enrique Ramirez: Good Kirk vs. Evil Kirk | Adam McGovern: Captain Camelot | Flourish Klink: Koon-ut-kal-if-fee | David Smay: Federation exceptionalism | Amanda LaPergola: Wizard fight | Steve Schneider: A million things you can’t have | Joshua Glenn: Debating in a vacuum | Kelly Jean Fitzsimmons: Klingon diplomacy | Trav S.D.: “We… the PEOPLE” | Matthew Battles: Brinksmanship on the brink | Annie Nocenti: Captain Smirk | Ian W. Hill: Sisko meets Kirk | Gabby Nicasio: Noninterference policy | Peter Bebergal: Kirk’s countdown | Matt Glaser: Kirk’s ghost | Joe Alterio: Watching Kirk vs. Gorn | Annalee Newitz: How Spock wins

ALSO ON HILOBROW Peggy Nelson on William Shatner as HiLo Hero | Greg Rowland on Leonard Nimoy as HiLo Hero | Peggy Nelson on William Shatner in Incubus | Matthew Battles on enlarging the Trek fanfic canon | Radium Age Supermen | Radium Age Robots | Radium Age Apocalypses | Radium Age Telepaths | Radium Age Eco-Catastrophes | Radium Age Cover Art (1) | SF’s Best Year Ever: 1912

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2014: KERN YOUR ENTHUSIASM (typefaces): Matthew Battles on ALDINE ITALIC | Adam McGovern on DATA 70 | Sherri Wasserman on TORONTO SUBWAY | Sarah Werner on JOHNSTON’S “HAMLET” | Douglas Wolk on TODD KLONE | Mark Kingwell on GILL SANS | Joe Alterio on AKZIDENZ-GROTESK | Suzanne Fischer on CALIFORNIA BRAILLE | Gary Panter on SHE’S NOT THERE | Deb Chachra on FAUX DEVANAGARI | Peggy Nelson on FUTURA | Tom Nealon on JENSON’S ROMAN | Rob Walker on SAVANNAH SIGN | Tony Leone on TRADE GOTHIC BOLD CONDENSED NO. 20 | Chika Azuma on KUMON WORKSHEET | Chris Spurgeon on ELECTRONIC DISPLAY | Amanda French on DIPLOMA REGULAR | Steve Price on SCREAM QUEEN | Alissa Walker on CHICAGO | Helene Silverman on CHINESE SHIPPING BOX | Tim Spencer on SHATTER | Jessamyn West on COMIC SANS | Whitney Trettien on WILKINS’S REAL CHARACTER | Cintra Wilson on HERMÈS vs. HOTDOG | Jacob Covey on GOTHAM.

2013: HERC YOUR ENTHUSIASM (old-school hip hop tracks): Luc Sante on “Spoonin’ Rap” | Dallas Penn on “Rapper’s Delight” | Werner Von Wallenrod on “Rappin’ Blow” | DJ Frane on “The Incredible Fulk” | Paul Devlin on “The Adventures of Super Rhyme” | Phil Dyess-Nugent on “That’s the Joint” | Adam McGovern on “Freedom” | David Abrams on “Rapture” | Andrew Hultkrans on “The New Rap Language” | Tim Carmody on “Jazzy Sensation (Bronx Version)” | Drew Huge on “Can I Get a Soul Clap” | Oliver Wang on “The Adventures of Grandmaster Flash on the Wheels of Steel” | Douglas Wolk on “Making Cash Money” | Adrienne Crew on “The Message” | Dart Adams on “Pak Jam” | Alex Belth on “Buffalo Gals” | Joshua Glenn on “Ya Mama” | Phil Freeman on “No Sell Out” | Nate Patrin on “Death Mix Live, Pt. 2″ | Brian Berger on “White Lines (Don’t Do It)” | Cosmo Baker on “Here We Go (Live at the Funhouse)” | Colleen Werthmann on “Rockit” | Roy Christopher on “The Coldest Rap” | Dan Reines on “The Dream Team is in the House” | Franklin Bruno on The Lockers.

2011: KIRB YOUR ENTHUSIASM (Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing | Adam McGovern on four decades (so far) of Kirby’s “Fourth World” mythos | Jack Kirby: Anti-Fascist Pipe Smoker

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Flourish Klink tells commercially-viable stories with The Alchemists Transmedia Storytelling Co., tells non-commercially-viable stories as an inveterate fanfic author, and teaches students about all different kinds of stories as a lecturer in Comparative Media Studies at MIT.