Shocking Blocking (27)
By: Joshua Glenn | Categories: Spectacles

Along with Robert Louis Stevenson’s Kidnapped and Geoffrey Household’s Rogue Male, John Buchan’s The Thirty-Nine Steps is among the greatest British thrillers ever written. Yet even though it pokes fun at Buchan’s yarn, Hitchcock’s adaptation is an improvement on the original — thanks to the introduction of Madeleine Carroll’s strong-willed character. Pamela is handcuffed to innocent-man-on-the-run Richard Hannay (Robert Donat), who drags her into the Scottish fog while escaping from his captors. En route to a rustic inn, the two perform a screwball routine, complete with slapstick action and fast-paced repartee, which reaches its apogee when Hannay holds Pamela’s sandwich while she removes her stockings. The blocking in this farcical scene is not only sexy and thrilling, but — thanks to the sandwiches — very British indeed.

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An occasional series analyzing some of the author’s favorite moments in the positioning or movement of actors in a movie.

THIRTIES (1934–43): It Happened One Night (1934) | The Man Who Knew Too Much (1934) | The Guv’nor (1935) | The 39 Steps (1935) | Young and Innocent (1937) | The Lady Vanishes (1938) | Mr. Smith Goes to Washington (1939) | The Big Sleep (1939) | The Little Princess (1939) | Gone With the Wind (1939) | His Girl Friday (1940)
FORTIES (1944–53): The Diary of a Chambermaid (1946) | The Asphalt Jungle (1950) | The African Queen (1951)
FIFTIES (1954–63): A Bucket of Blood (1959) | Beach Party (1963)
SIXTIES (1964–73): For Those Who Think Young (1964) | Thunderball (1965) | Clambake (1967) | Bonnie and Clyde (1967) | Madigan (1968) | Wild in the Streets (1968) | Barbarella (1968) | Harold and Maude (1971) | The Mack (1973) | The Long Goodbye (1973)
SEVENTIES (1974–83): Les Valseuses (1974) | Eraserhead (1976) | The Bad News Bears (1976) | Breaking Away (1979) | Escape from Alcatraz (1979) | Apocalypse Now (1979) | Caddyshack (1980) | Stripes (1981) | Blade Runner (1982) | Tender Mercies (1983) | Monty Python’s The Meaning of Life (1983)
EIGHTIES (1984–93): Repo Man (1984) | Buckaroo Banzai (1984) | Raising Arizona (1987) | RoboCop (1987) | Goodfellas (1990) | Candyman (1992) | Dazed and Confused (1993)
NINETIES (1994–2003): The Fifth Element (1997)
OUGHTS (2004–13): District 9 (2009)

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READ MORE essays by Joshua Glenn, originally published in: THE BAFFLER | BOSTON GLOBE IDEAS | BRAINIAC | CABINET | FEED | HERMENAUT | HILOBROW | HILOBROW: GENERATIONS | HILOBROW: RADIUM AGE SCIENCE FICTION | HILOBROW: SHOCKING BLOCKING | THE IDLER | IO9 | N+1 | NEW YORK TIMES BOOK REVIEW | SEMIONAUT | SLATE

Joshua Glenn’s most recent books (2012) are UNBORED: THE ESSENTIAL FIELD GUIDE TO SERIOUS FUN (with Elizabeth Foy Larsen); and SIGNIFICANT OBJECTS: 100 EXTRAORDINARY STORIES ABOUT ORDINARY THINGS (with Rob Walker).

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Joshua Glenn is a Boston-based writer, publisher, and cultural semiologist-for-hire. He is coauthor and/or co-editor of TAKING THINGS SERIOUSLY, THE IDLER'S GLOSSARY, THE WAGE SLAVE'S GLOSSARY, and — in 2012 — the object-oriented story collection SIGNIFICANT OBJECTS, and the kids' field guide to life UNBORED. He is editor of HILOBROW and publisher of the science fiction imprint HILOBOOKS; and he is co-founder of SEMIONAUT and the SIGNIFICANT OBJECTS experiment. In the '00s, Glenn was an editor, columnist, and blogger (BRAINIAC) for the Boston Globe's IDEAS section, and he was new media producer for the paper's LIVING/ARTS section. In the '90s, he published the seminal high-lowbrow zine/journal HERMENAUT; was an editor at UTNE READER; and was co-producer of the pioneering DIY how-to website and social network TRIPOD. Glenn produced and co-designed the iPhone app KER-PUNCH. He manages a secretive online community known as THE HERMENAUTIC CIRCLE. He does business as KING MIXER, LLC.