
There’s a case to be made that the 20th Century begins in America when EDGAR RICE BURROUGHS (1875-1950) published his first story, “Under the Moons of Mars,” in All-Story Magazine in 1912. Burroughs trafficked in all the dominant pop literary tropes of the late 19th century — hollow earth adventures, lost races and cities, Martian canals, astral projection to other planets, and feral children — but stripped them clean of their fusty, Victorian values. His lost race yarns aren’t nearly as racist as those of A. Merritt or H. Rider Haggard. Burroughs doesn’t need to deform science to explain his hollow earth, and his astral projection doesn’t drag in Madame Blatavsky in order to launch a cavalryman to Mars. Burroughs doesn’t give a shit about the ideologies of the genres strip-mines for stories; and he streamlines 19th-century pseudoscience into pure sensation and thrills. What’s more 20th-century American than value-free sensationalism, I ask you? Kreegah Bundolo!
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In 2012, HiLoBooks serialized and then republished (in gorgeous paperback editions, with new Introductions) five forgotten Radium Age science fiction classics! Five more titles will be serialized and published in 2013. For more info: HiLoBooks.
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“Bundalo” indeed.
dig this site and your taste(s).
when I was a kid I read tons of his books (stories) and my favs featured Carson Napier’s exploits on Venus.
I don’t think there’s ever been a good Tarzan movie, although Tarzan in NYC was better than Crocodile Dundee. I surprised that dopey-assed Hollywood hasn’t tried to make a ‘franchise’ out of Lord Greystoke.
“Tantor Bundalo”.
>I don’t think there’s ever been a good Tarzan movie
What about the swimming scene in “Tarzan and His Mate,” though?