Among the photos making the social-media rounds in the aftermath of the Turkish Airlines crash in Amsterdam yesterday was this haunting image:

It was posted on Twitter by @Serguei with a caption (in French): “It” has returned, in the mist of Amsterdam.” Earlier in the day the picture had appeared in a Tweet by @ankedesign, an artist and blogger in The Hague, with the caption “Oh noes! She was there!”
Who? Where else has she been?
Despite an extensive search, HILOBROW found no other images of this fey creature at disasters. But a social media confrere tells us that the picture is a manifestation of disaster girl.
Others have pointed us to similar scenes:
These images remind me of the Cottingley Fairies, “spirit photographs” made by two English girls in 1917, in which they depicted themselves in the company of little people:

Their photographs convinced Arthur Conan Doyle that fairies were real, waiting for us to believe in them so that they could bring happiness to the modern world. Despite his tireless efforts on their behalf, however, most remained incredulous, and Doyle was widely pilloried as a doddering fool.
Elfbairns, changelings, gnomes, and gremlins: are they among us, wreaking revenge?
This is the first in a series of posts seeking access to the dominant discourse’s secrets via holographic scrutiny of two or more fraught images.
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If Carvaggio had anything to say about these figures, at once infinite, mischievous, and entirely unpredictable, his “Amor Vincit Omnia” suggests that they are ubiquitous. In the process, the visage of these quasi-immaterial beings- little girls, sprites, eros- become the face of love’s mercilessness in spite of our best laid plans.
http://upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Amor_Victorious.jpg/439px-Amor_Victorious.jpg